Eddy
🇨ðŸ‡ðŸ‡¦ðŸ‡·ðŸ‡¦ðŸ‡¨ðŸ‡¹ðŸ‡ªðŸ‡· 🇧🇮🇴
🇳🇦🇲🇪
Cameraman Edgar "Eddy" Kaufman
🇦🇬🇪
22
HEIGHT AND WEIGHT
6'2"|150 lbs
🇬🇪🇳🇩🇪🇷
Male
ðŸ‡ðŸ‡´ðŸ‡²ðŸ‡ªðŸ‡¹ðŸ‡´ðŸ‡¼ðŸ‡³
A small town in Unova, just west of Castelia.
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This is a really weird thing to include. But he's heterosexual.
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Eddie's a fairly mellow sort- he doesn't have fits of world-sundering rage or incidents of deep sorrow.
🇱🇮🇰🇪🇸 🇦🇳🇩 🇩🇮🇸🇱🇮🇰🇪🇸
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â—‰ B-movies- Eddie has a deep, abiding love for low-budget films. They're a testament to what people can do when they set out to create something wonderful, without caring about money.
â—‰ Gross/weird Pokemon- Eddie can appreciate Pokemon with more... "unique" anatomy. They're sturdy creatures that cope with their environments in unique ways.
â—‰ Filmmaking- Eddie believes that motion pictures are the ultimate form of art, but he's not exactly a snob about it- his favorite movies include "Plan 9 from Outer Space" and "Blood Island XII: Trouble In Scare-adise."
â—‰ Gross/weird Pokemon- Eddie can appreciate Pokemon with more... "unique" anatomy. They're sturdy creatures that cope with their environments in unique ways.
â—‰ Filmmaking- Eddie believes that motion pictures are the ultimate form of art, but he's not exactly a snob about it- his favorite movies include "Plan 9 from Outer Space" and "Blood Island XII: Trouble In Scare-adise."
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â—‰ The "Devil-worshipping international media conglomerates"- Whether or not it's true is up for debate, but Eddie's uncle Lloyd taught him that the big studios and media companies- including Pokestar and others- are seeking to destroy, discredit, or subsume all independent companies to ensure a safe, marketable environment.
â—‰ CGI- Eddie believes that CGI is horrible, looking dated within years of release and costing ever more money, when practical effects are cheaper and age better.
â—‰ Celebrities.
â—‰ CGI- Eddie believes that CGI is horrible, looking dated within years of release and costing ever more money, when practical effects are cheaper and age better.
â—‰ Celebrities.
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Eddy's family lived comfortably in a mobile home in a town that proudly proclaimed itself "The Cleanest Spot In Unova." However, his parents were often busy with work, so they didn't have much time to keep an eye on him after school. As such, Eddy's father came up with a solution- his brother Loyd, the owner of Trauma Pictures, an up-and-coming independent film company. Well, Loyd was frequently busy with production, but he wasn't going to say no to babysitting his favorite nephew. Of course, film sets are a busy place, and they need all the help they can get. Eddy was eager to lend a hand, and proved a capable gofer. However, Loyd began to notice the boy's avid interest in the special effects- and decided to let him help in that department. Eddy proved to be a ready learner, much to his uncle's surprise.
One day, some suit from a Kantonian animation company with an office on the Pokestar lot came forward and entered talks with Loyd. Eddy, being a kid, wasn't privy to the specifics of the talks, but Loyd seemed quite certain he'd hit the big time- they were interested in using one of his signature characters, the Toxicroaksader- a hideously deformed monster hero of superhuman size and strength that fought to protect the environment from evil aliens. There was to be a full 65-episode animated series about the Toxicroaksader, complete with a toyline.
A few months later, however, Loyd was bitter and angry. Apparently something had fallen through, and he'd lost the rights to the Toxicroaksader to an even less important no-name director who happened to work for Pokestar. Two godawful Toxicroaksader sequels were written, which used Trauma Pictures's name and imagery. Loyd was furious, but the lawyers said there was nothing he could do. Eddy still did his best on the set of Trauma's films, but he was shaken by the change in his once jovial uncle.
Recently, though, a loophole in the contract was discovered. Trauma Pictures is back making its own films, their properties are back in the hands of their creators, and Toxicroaksader 4: A Bold Day in Hell opened its credits with a written apology for the films of the intervening years. Loyd might have been left a little unhinged, however... He insisted that what had happened to his darling character could only be the work of "a conspiracy of international devil-worshiping media conglomerates." Whether it was Silph or Pokestar, Jubilife TV or the studio that crippled Hoenn Rangers, the mass media was only interested in destroying independent companies and varied programming. Whether or not it's true, Eddy was curious about the animation studio that worked with his uncle- and the sort of artistic inspiration and personal growth traveling abroad brings didn't hurt either. He grabbed one of the Special Effects Pokemon, a Rotom he'd worked with frequently, and set off for Kanto.
One day, some suit from a Kantonian animation company with an office on the Pokestar lot came forward and entered talks with Loyd. Eddy, being a kid, wasn't privy to the specifics of the talks, but Loyd seemed quite certain he'd hit the big time- they were interested in using one of his signature characters, the Toxicroaksader- a hideously deformed monster hero of superhuman size and strength that fought to protect the environment from evil aliens. There was to be a full 65-episode animated series about the Toxicroaksader, complete with a toyline.
A few months later, however, Loyd was bitter and angry. Apparently something had fallen through, and he'd lost the rights to the Toxicroaksader to an even less important no-name director who happened to work for Pokestar. Two godawful Toxicroaksader sequels were written, which used Trauma Pictures's name and imagery. Loyd was furious, but the lawyers said there was nothing he could do. Eddy still did his best on the set of Trauma's films, but he was shaken by the change in his once jovial uncle.
Recently, though, a loophole in the contract was discovered. Trauma Pictures is back making its own films, their properties are back in the hands of their creators, and Toxicroaksader 4: A Bold Day in Hell opened its credits with a written apology for the films of the intervening years. Loyd might have been left a little unhinged, however... He insisted that what had happened to his darling character could only be the work of "a conspiracy of international devil-worshiping media conglomerates." Whether it was Silph or Pokestar, Jubilife TV or the studio that crippled Hoenn Rangers, the mass media was only interested in destroying independent companies and varied programming. Whether or not it's true, Eddy was curious about the animation studio that worked with his uncle- and the sort of artistic inspiration and personal growth traveling abroad brings didn't hurt either. He grabbed one of the Special Effects Pokemon, a Rotom he'd worked with frequently, and set off for Kanto.
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🇪🇽🇵🇪🇷🇮🇪🇳🇨🇪 🇴🇫 🇧🇦🇹🇹🇱🇮🇳🇬
Helped film, shoot, and choreograph battles for over 37 films, including "Return to Nukem High" and "Blaziken Saddles", so he has an idea of how to do flashy moves and combinations. He's also helped care for a number of Trauma Films' star Pokemon.
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Poison, Bug, Ghost
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-wants to uncover the conspiracy behind the "Devil-worshiping international media conglomerates" that kept his uncle's show down.
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Picture | Description |
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Name: Sparky Gender: None Type: Electric/Ghost Nature: Jolly. Moveset: Discharge | Double Team | Trick | Uproar | |
🇳/🇦 | Name: N/A Gender: N/A Type: N/A Personality: N/A Moveset: Nothing | Nothing | Nothing | Nothing |
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🇳/🇦 | Name: N/A Gender: N/A Type: N/A Personality: N/A Moveset: Nothing | Nothing | Nothing | Nothing |
🇳/🇦 | Name: N/A Gender: N/A Type: N/A Personality: N/A Moveset: Nothing | Nothing | Nothing | Nothing |
🇳/🇦 | Name: N/A Gender: N/A Type: N/A Personality: N/A Moveset: Nothing | Nothing | Nothing | Nothing |
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Themes
â—‰ Character Theme: TBD
â—‰ Battle Theme: TBD
â—‰ Boss Theme: TBD
â—‰ Battle Theme: TBD
â—‰ Boss Theme: TBD