Avatar of Kensai

Status

User has no status, yet

Bio

User has no bio, yet

Most Recent Posts

- Since Ryuu was pretty turbulent even when young, and I'm shuffling the timeline of his past around anyway, maybe he could've saved another character from a bully/bullies, whether they were friends at the time or he just happened upon a situation where he felt the need to intervene? The whole incident that first got him a bad rap as a violent kid, when he broke a bully's nose.


If it works out timeline-wise that this happened on one of his earlier visits, he could well have rescued Koharu? Back when she was in her timid phase.
@Feyblue
Having reread your character writeup, I do agree that the backstories are uncomfortably similar, although the girls have responded in very different ways. I have made a few changes to Koharu's, although I think that it would be interesting to have them be mirror images of each other. I think a lot of it would be emphasis - Koharu is really mostly alone in the world aside from her friends, so her work is very much a matter of supporting herself, whereas for Suzuka it's more about a family obligation; Koharu rents from a landlord (and I've switched from a whole apartment to a room in a share house), while Suzuka is living above her aunt's cafe. Fundamentally, Koharu's position is significantly more precarious than Suzuka's and I think that will come out during play.

That having been said, I think Koharu could work at a variety of jobs, going through them with the seasons and as availability allows: cleaning, delivery, konbini, izakaya, packing, beer seller at the ballpark, whatever. It could even be a bit of a schtick - "Where's Koharu working this week?"

I don't think they'd become enemies though: for one thing Koharu isn't the sort to have enemies, she tries to get along with everyone even if she does step on a lot of toes along the way. Might be that Suzuka doesn't like her very much, but Koharu will still repeatedly and cheerfully get in her space until the ice thaws.
A century of air combat had distilled numerous tricks into the corpus of Air Combat Maneuvering. Some of these were classics from the very first day of man killing man in the air: the Immelmann turn, the split-S... and perhaps the great-grandfather of them all, the dive out of the sun. It was a simple trick, using the glare of the sun to obscure your aircraft from the sight of the enemy, allowing you to close in undetected. In more modern times, it was used in reverse, flying into the sun to fool the primitive seeker heads of early IR-guided missiles. In an era of AESA radar and sensor fusion, though, it had mostly fallen by the wayside.

But Aurélie was a scholar of ACM, among many other things, and the principle still applied. The portable floodlights were compact but powerful, strong enough to illuminate a runway for safe landing - and thus more than powerful enough to dazzle. If the enemy didn't have optics, the glare would make it impossible to see anything within something like a 15 degree arc of the light source; if they had optics, the lights might well burn them out if they were looking in that direction.

Either way, it would give them something to think about.

And shoot at, as the case may be. They could just blast the lights out. But at least that would take some time - time that Cobalt could use to approach and assault.

Time, the essence of combat. Bought, more often than not, in blood. Of which Napoleon himself had said, "You can ask me for anything you like, except time."

Aurélie had little to contribute to the team in an assault, but she could buy them that time. Before anyone else had noticed, she was already at the cart, flipping open the lid to the control panel and angling the lights at the traitors' position.
@Feyblue I'm a bit under the weather and need to get some rest, but I'll sleep on it and have another think about the backstory.
Not that it’s a big problem, but isn’t there a lot of overlap with Mikako re: working a lot, optimistic nature, etc? Nothing wrong with having two cheerful gals but it would be interesting if she were on the more flirty side to better put her apart from mikako. Her forcefulness also relates her to junko. Obvs traits aren’t locked to one character but I do think the more the traits are different between characters the more drama / interesting interactions will be had.
Also, I can’t really tell if our characters knew her before her change, or if they only met her once she moved to the area after her parents deaths.
Overall, I think there’s some potential here to be a flirty, ditzy kind of gal with hidden depths, but it’s up to you!


Oh yeah, Koharu is definitely more on the flirty/brash side. I think the interesting thing is that she's also quite different from Mikako in that she does things much more for herself. She doesn't feel obligated to work for anyone else, everything she does is in order to get ahead in life. She's a lot more self-centred in that sense (and I think most Japanese people would think so) but also as much more self-fulfilled and self-directed. Koharu has had to grow up in ways different from the others - not so much in terms of being responsible for someone else, but in dealing with the adult world and claiming her own space.

@Kensai Lol for sure! I also think He saw her struggling a bit so he offered to help during breaks/lunch time. Since they're in the same year, maybe they're even in the same class!


He might even have been the one to recognise her in the first place. Might be interesting if Koharu changed her surname to her (maternal) grandmother's when she was taken in, so nobody would have twigged at first. But he's the guy who's like, "Oh yeah, that's totally Koharu from elementary school, don't you all remember?" It would make sense since he's the one with the artist's eye, so he'd be able to see past the changes and suss her out.

On another note, Koharu also has her own apartment and doesn't have to share space, so her home is likely to become a hangout just because the gang can let loose there. Just a thought.
Awww, she's adorable! I think she and my Sunshine boy would practically be best friends

@Kensai


Koharu would totally stuff Haruto with katsudon. He was probably responsible for pulling her into the group to begin with.



So here's Koharu - still plenty to be done with her, but I wanted to get the sheet up for review and comment. If there's an issue with pairings, I'd be happy to play her as a wild card - that one friend who doesn't actually hook up with anyone in the group, but looks over everyone and helps them out. Or might have a secret crush that she doesn't ever let on about, she's just happy if all her friends are. Or just has her own plans and destiny that we won't find out about till the series finale with the timeskip....
@Feyblue
So should I put up a CS or no?
Thank you all for your patience! As of now, the OOC is up!

roleplayerguild.com/topics/195041-sho…

For the five who've already applied, hope to see y'all there!

@Kensai I was originally aiming for a cast of six max, but I could potentially bump the number up to eight total. Problem is, we'd then need another boi, since I'm trying to avoid love triangles. Nobody wants to join a romance RP just to be the odd one out, after all. The character idea does sound fun, though, so I could definitely be convinced to work her in.


Fleshing out my idea a bit, I was thinking that my gyaru would have been a quiet, mousy sort back before the group split up. So it's a shock to everyone that the shy, bookish girl has turned into a brash and flashy gyaru. A lot might turn around just why she's undergone such a huge change.

As for the numbers... I don't have a ready solution unfortunately but I can sleep on it and see if I can think of something.
Are y'all completely full up on characters? Cause if not I'd like to bring in a gyaru who's kind to otaku everyone and is a crazy flirt but actually really pure. (And then play off that bundle of stereotypes.)
© 2007-2025
BBCode Cheatsheet