Between Clark and Iris' combined speed, I feel like they could have multiple victory wanks in full view of the SHIELD people without anyone knowing the wiser.
To sort of tie OP Supes, unbeatable Bat-God, untouchable faster-than-instant Flash, too-cool-to-kill Punisher, etc together (as well as a lot of today's comics where Carol Danvers or Squirrel Girl or whoever beats an ineffectual silly-billy villain in one page and then spends the rest of the issue being emotionally validated), the inherent problem with all of them in those iterations is the lack of danger. At no point do you ever feel like the hero might lose, or that they might be tainted or changed by the experience. There's no stakes, no cost or consequence for their actions, no price for victory or penalty for defeat. There's also usually no reward for victory, either, just a reinforcing of the status quo.
This I think is where the superhero genre really needs to get back in touch with its original DNA in the pulps. Superman may be secular-Jesus in a lot of people's eyes, but his lineage also includes Doc Savage and John Carter and Conan the Barbarian. All of which include three things that I think modern comics are sorely lacking: danger, violence, and sex. I'm not saying to make comics outright porn--Clark and Lois should feel a lot more chaste and wholesome than Batman and Catwoman-- but everyone has some innate reactions to sex and death (eros and thanatos if you wanna get all pretentious). They're the most human part of the human experience, and when you remove them, the characters come off as inorganic and neutered.
Wanna know why Gotham City is so much more popular of a setting than Metropolis? Because Gotham City is pulpy as all hell-- everyone is some combination of dangerous, violent, and sexy. Poison Ivy isn't necessarily violent, but she's definitely dangerous and sexy. Killer Croc is about as un-sexy as possible, but he's also the most dangerous and violent person in the city. Harley Quinn often isn't exactly dangerous, but is always sexy and violent. Everyone in Gotham City is trying to kill and/or fuck everyone else in Gotham City, and that's why it's so appealing for writers and readers alike.
Whereas Metropolis is usually just.....nice. Yeah, Lex Luthor lives there and half the city is exploding at any given time, but it doesn't have the same sort of danger as Gotham because it's supposed to match the main character, and more often than not Superman himself is usually just....nice.
That's been kind of my unspoken goal while writing this version of Superman, to reintroduce some danger and sexiness into the character and to the setting, to make his story one that actually gets the blood pumping instead of just having him preach platitudes and be everyone's imaginary friend. I've always liked Superman's heart and a lot of his brain, but it's high time the guy had some balls again.
@Master Bruce
If there is space, may I be apart of this as Deadpool?
Out of curiosity, @Master Bruce, how much of the IC are you caught up with now?
<Snipped quote by Roman>
The only thing I'll say is that it may be a stretch for Matt to be DA right out of law school like the sheet implies. It's an elected position and there's a lot, like a lot of politics involved to get to that level in a city the size of New York. ADA would be good though. Unless he spent years as an ADA before making the leap and you planned on mentioning it in the actual posts. If that's the case then I'm good.
I'm gonna say something that will probably get me killed; I do not care for the DCAU Batman.
Batman in the first three seasons of B:TAS was wonderful, and I loved Kevin Conroy's voice then, when he made a point to have some actual inflection and make his Batman and Bruce voices different. But as soon as it came time for him to start mixing it up with the other characters, IMO the character stopped being interesting. The writers' blatant favoritism when it came to Gotham characters being treated as innately superior to the rest certainly didn't help, but I also think they leaned way too hard into his whole "cold and calculating" outer shell to the point where that's basically all he was. And while I know that from Season 4 of BTAS to the present day, the monotone deadpan version of Conroy's voice is the definitive voice for most people, I feel like it makes him the least interesting part of any scene he's in, to the point where it often feels like Mark Hamill has to pull double-duty to bring the energy to their tag team.
Because, despite the fact i agree with you, she sells product.
You're not the only one.
When I read Batman: White Knight, I went in with every intent to hate it. I hated the concept, I hated how 'progressive' and 'current' all the reviewers made it seem. So I finally broke and had to read it for myself...
And I loved it.
One of the best aspects of it though is the acknowledgment of Harley and how it tackles why and how the current Harley is so different from the Harley we came to know and love through BTAS. Honestly, White Knight in many ways is a love letter to at least the last thirty years of Batman's various publications.
I recommend it for anyone who has yet to read it.