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8 mos ago
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Watch out.

The gap in the door... it's a separate reality.
The only me is me.
Are you sure the only you is you?


DON'T TOUCH THAT DIAL NOW, WE'RE JUST GETTING STARTED

Most Recent Posts

In Ju-V 1 yr ago Forum: Advanced Roleplay
<Snipped quote by Roman>

Vorpal.


Vorpal's much better, thank you.

@Roman Maybe someone along the lines of Robert Sheehan? I know he's probably kinda old, but that's the first person that came to my mind when I read the sheet lol.


Robert Sheehan a bit too cheery-faced for what I'm going for but it put me along the right lines. Robert Sheehan -> Misfits -> Joe Gilgun -> This is England.

Although if someone has a scrangly-er, scruffier, more-beat-up pick I'm all ears.
In Ju-V 1 yr ago Forum: Advanced Roleplay
Suggestions on a face claim and/or a better Alias would be welcomed.

C A L L A H A N
C A L L A H A N
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"How vain to sit and write, when you have not stood and lived."
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▅▅▅▅▅ S T U D E N T S U M M A R Y ▅▅▅▅▅
▅▅▅▅▅ S T U D E N T S U M M A R Y ▅▅▅▅▅

Harlan G. N. Callahan Danielewski
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August 27th, 2000 | 23 | Caucasian
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Single | Male | Heterosexual
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New Orleans | Louisiana | Amerca_________________________________________________________
HouseTBD | TeamXX - TBD

P H Y S I C A L P R O F I L E
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M O T I V A T I O N S & G O A L S
M O T I V A T I O N S & G O A L S ▅▅▅▅▅▅

N O T E S
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S T U D E N T S Y N O P S I S
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Callahan is the eldest of 4; 2 brothers in the middle and his sister, the youngest, all of whom he has watched over carefully, effectively since his first brother could walk. His father meant well, but worked hard - too hard - and while he wasn't abusive when he drank, he was neglectful. His mother was loving and doted on all of them, but there were no funds to spoil them with and no free time to raise them by herself. Callahan stepped in, a silent pact to do the job his father either couldn't or wouldn't, and his mother felt equally guilty and grateful.

And then Callahan's mother got sick, and then she got worse, and then his father - already working himself to death to provide what little finances they had - buckled under the pressure and fled entirely. The brothers and sister did what they could, and to their credit, they rallied valiantly beneath Callahan's soft guidance. The brothers old enough to work - Callahan himself and his first brother - did so, bringing money into the household; his second brother studied, hard, as did his sister, and between the two of them they also maintained the household. Callahan rose to the occasion nobly, and kept the family together while caring for their steadily declining mother, and trying to locate their absent father. Somewhere along the way, Callahan realised he'd lost any sense of individual, his own needs buried beneath those of his family.

Six years later, their mother finally passed. The siblings were devastated, but also prepared. Callahan's abilities had awakened in the interim period, and while he'd thought little of them amidst the unravelling tragedy of their lives, his siblings saw in Callahan someone truly capable of great and beautiful things, and someone who surely deserved the chance to achieve those things.

They were aware of P.R.C.U., aware of H.E.L.P. and H.I.T., aware of the academy and all the potential it held for Callahan. The night after the evening of the wake, his brothers and sister, weeping and smiling in equal measure, presented Callahan with the brochures, the leaflets, the course guides. They also presented him with a letter of invitation, and tickets for the journey.

They held each other close and cried until they could produce no more tears, and then cried some more. A week later, Callahan set off for Dundas Island.
A B I L I T I E S, L I M I T A T I O N S, & W E A K N E S S E S
A B I L I T I E S, L I M I T A T I O N S, & W E A K N E S S E S ▅▅▅▅▅▅▅▅▅

H Y P E R H U M A N A B I L I T Y || SCRIPTOKINESIS // ACTUALISED NARRATIVE
__PRIMARY CLASSIFICATION ||EXOTERIC
__SECONDARY CLASSIFICATION ||FUNDAMENTAL

Callahan's ability allows him to manipulate the written word, and through it, the world around him.

Fundamental primary use: able to extract singular words from written language, and manifest the meaning or concept represented by that word.
For example, 'fire', 'burn', and 'ignite' become flame or sparks to set something alight; 'light',' bright', and 'dazzle' become glowing beacons; 'cut', 'slash', and 'slice' become sharp, inky blades; 'push', 'shove', and 'shunt' become short, forceful nudges.
If the word is written, and its meaning straightforward and understood, then Callahan can manifest it for his own purpose.

Mundane secondary uses: able to alter written word by thought; able to automatically transcribe his own thoughts, or the words of anybody speaking aloud within earshot; innate memorization of anything read; able to make written word verbalise itself; able to innately understand the written word of any language.

L I M I T A T I O N S ||

If a word is too complex, or its meaning not understood by Callahan, he cannot manifest it. Manifested words are a one-time use only; you get one shove, one slash, one spark, then it collapses back into its material. Objects manifested from words are made of what the text was formed from - ink, graphite, charcoal etc. - and while are as solid as they need to be for their purpose, are easily distinguishable from their actual counterparts.

Callahan cannot manifest abstract or philosophical concepts like 'death' or 'freedom', and cannot manifest living beings, or directly alter their states - physical, mental, emotional - though a manifested word (e.g. 'angry', 'tired', 'drunk', or 'crippled').

Manifested words do not return to the page they were taken from after use.
Only written words can be manifested.

W E A K N E S S E S ||

Callahan requires written word to be accessible to manifest it. He can also 'use up' words too quickly if he's not careful, as used words don't replace themselves, and each manifestation only has a one-time use. Without access to a source of written or printed text, or the means to write his own words, Callahan is completely powerless.

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P E R S O N A L P R O M P T S
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Y O U A W A K E I N T H E D E A D O F N I G H T, W H A T W O K E Y O U?

Here you write an in-character response to the above prompt.

A D I S H E V E L E D S T R A N G E R A P P R O A C H E S Y O U A S K I N G F O R H E L P, H O W D O Y O U R E S P O N D?

Here you write an in-character response to the above prompt.

A N I N T R U D E R A L A R M H A S B E E N S E T O F F O N C A M P U S, H O W D O Y O U R E A C T?

Here you write an in-character response to the above prompt.

S U P P O R T I N G C A S T
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"Witty Quote."
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C O R M A C T E N N E S E E D A N I E L E W S K I || F I R S T B R O T H E R
C O R M A C T E N N E S E E D A N I E L E W S K I || F I R S T B R O T H E R
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus at mi mi. In imperdiet porta dolor, at fermentum nulla commodo eu. Suspendisse volutpat et ex tempor suscipit. Nullam tincidunt at nunc vel auctor. Donec venenatis, nisl nec fringilla varius, massa quam porttitor turpis, sed bibendum purus sem id risus. Nullam scelerisque lectus eget diam gravida malesuada. Maecenas consectetur est ac sollicitudin congue. Maecenas interdum erat dignissim lectus sodales, nec ultrices neque egestas. Integer convallis lacus at consequat volutpat.








Use as many or few of the above symbols as needed to balance this cell with the cell containing the image.

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"Witty Quote."
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E L I O T J. D. D A N I E L E W S K I || S E C O N D B R O T H E R
E L I O T J. D. D A N I E L E W S K I || S E C O N D B R O T H E R
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus at mi mi. In imperdiet porta dolor, at fermentum nulla commodo eu. Suspendisse volutpat et ex tempor suscipit. Nullam tincidunt at nunc vel auctor. Donec venenatis, nisl nec fringilla varius, massa quam porttitor turpis, sed bibendum purus sem id risus. Nullam scelerisque lectus eget diam gravida malesuada. Maecenas consectetur est ac sollicitudin congue. Maecenas interdum erat dignissim lectus sodales, nec ultrices neque egestas. Integer convallis lacus at consequat volutpat.








Use as many or few of the above symbols as needed to balance this cell with the cell containing the image.

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"Witty Quote."
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S T E P H A N I E R. L. F R A N Z D A N I E L E W S K I || S I S T E R
S T E P H A N I E R. L. F R A N Z D A N I E L E W S K I || S I S T E R
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus at mi mi. In imperdiet porta dolor, at fermentum nulla commodo eu. Suspendisse volutpat et ex tempor suscipit. Nullam tincidunt at nunc vel auctor. Donec venenatis, nisl nec fringilla varius, massa quam porttitor turpis, sed bibendum purus sem id risus. Nullam scelerisque lectus eget diam gravida malesuada. Maecenas consectetur est ac sollicitudin congue. Maecenas interdum erat dignissim lectus sodales, nec ultrices neque egestas. Integer convallis lacus at consequat volutpat.








Use as many or few of the above symbols as needed to balance this cell with the cell containing the image.
V O R P A L

F R E D E R I C K ' F R I T Z ' J A C K O N N O V E M B E R 2 1 ( 1 7 ) M A L E
"I cut my losses a long time ago."

▼ A P P E A R A N C E:

"Cut from a different cloth."
//STATS:
◼ HEIGHT | 5' 8"

◼ WEIGHT | 130lbs

◼ BUILD | Skinny

◼ HAIR COLOR | Dark brown.

◼ EYE COLOR | Gray and dark.

◼ OTHER | Multiple tattoos scattered across his body, none professionally done - mostly stick'n'poke jobs in community kitchens or on street corners. Some scarring, slashes from accidents while experimenting with his abilities, but patchy burns too from fires, cigarettes, etc.

//DESCRIPTION:
Undeniably, and even uncomfortably, Fritz looks rough for his age; he's been forced, through abuse and his own retreat from the social system, to mature ahead of his time. Rough living combined with less food than a growing body needs, but more cigarettes and alcohol than a growing body should get, makes him look haggard despite his young age, and while he miraculously retains youthful vitality, he's still marked by scars, burns, and stick'n'poke tattoos from his time on the streets, and his eyes speak of years he shouldn't have lived yet. His hair is cut pragmatically short by himself (it's difficult to maintain a salon hairstyle living rough, and long hair is a disadvantage in fights) and his clothes are hand-me-downs, found-threads, and the occasional better-quality garment, inevitably stolen.

▼ B I O G R A P H Y:

"Let's cut to the chase."
Fritz' parents were young, naive, broke, and immature, and yet still thought they could raise a child on good intentions and perseverance. They were wrong. Fritz was a tricky child, fierce, bold, and ultimately unsuited to the docile, easily-malleable role of a walking talking dress-up-doll his mother and father had hoped he'd be. Eventually, unable to cope, they gave him up to the state, hoping he'd find better care with a foster family who were more equipped to handle the turmoil of parenting. Again, they were wrong. Bouncing through the system, in and out of care homes and foster families, enduring scattered abuse both physical and emotional in the process, eventually molded an already precocious child into a ferocious one, convinced he was innately unwanted, plagued by abandonment disorder, and maturing before his time into the kind of independence and self-reliance born only from neglect. He struck out of the social system entirely and onto the streets in his early teens and, never having a stable home foundation in the first place, never looked back.

His time on the streets helped him develop his already volatile psyche, and when his powers awakened he was only pushed further over that edge. A spree ensued: starting slow with non-violent mugging and burglary, it quickly escalated to assault, armed robbery, culminating in an attack that, pending the results of the victim's coma, could stick at GBH or escalate to manslaughter.

The law caught up with him rapidly, and disarmed, the young teen was of little threat to trained officers. Aegis found him in the holding cells, and in their campaign took on his legal battle. Looking at being tried as an adult, despite his age, Aegis somehow convinced the judge and state defense that the boy should be given one final chance at the Metahuman Rehabilitation Centre; they would provide the stable home and nurturing foundation Fritz had never had the chance to know, and give him the opportunity to harness his natural cleverness and well-earned street-smart cunning for the betterment of himself and his fellow man, Metahuman or otherwise.

Fritz didn't really see that he had much of choice.

▼ M O T I V A T I O N / O B J E C T I V E:

"Cut the crap."
Fritz is content to play along with Aegis' rules and the court terms of his inpatient stay at the Centre, seeing it as an opportunity to hone his abilities and observe the workings of the organization, assured that he'll be able to discern something of value for use in the outside world. However he is naturally distrustful of authority figures, and quietly convinced that Aegis too will inevitably abandon their promise and palm Fritz off to somewhere else. He's braced himself mentally for when that happens, and very ready to return to the streets. It is, to Fritz, simply a matter of time.

▼ A B I L I T I E S / S K I L L S:

"The world's pretty cut-throat."
//ABILITIES:
◼ Aichmokinesis | The control over, and manipulation of, sharp edges and piercing points.

Fritz passively hones the sharpness of any held cutting or piercing implement to the absolute limit of its potential, but can also focus to take it beyond that, eventually producing a blade that can effortlessly cut down to the molecular level, cleaving cleanly through even rock and steel.

Alternatively, he can extend the cutting edge beyond the end of the blade, ultimately wielding a kitchen knife like a claymore.

//SKILLS:
◼ CQC, Survival, Street-Smarts | Naturally, Fritz has taught himself to be quick with a blade and how to properly handle all manner of knives. He's also well-versed in survival skills and how best to approach people to get what you want. He has no aversion to denting his pride or spending some dignity if it will further his goals, and his time in the streets (and accidents in his own power experimentation) has left him comfortable with physically-repulsive situations and first aid.

//LIMITATIONS:
◼ Conduits Not Included | Fritz requires an item with a cutting or pre-sharp edge in order to hone it; a knife, a saw, a needle, some bolt cutters, even a page of paper. If it has the ability to cut, slice, or pierce, Fritz can enhance it - but he can't turn a flat piece of wood or a plastic tube into a blade to cleave the heavens. He also requires constant physical contact with the item; he can't enhance something he's not touching, and once he lets go of the item it loses his enhancements. An enhanced blade will also 'blunt' as it's used, so Fritz must put considerable effort into keeping an edge sharp, and bad-quality blades will blunt faster and be harder to enhance. Finally, the bigger the blade, the better the enhancement, but the harder and slower it is to sharpen.

//WEAKNESSES:
◼ You Can't Sharpen Fists, Brought A Knife To A Gunfight | Disarming Fritz deprives him of an object to channel his ability through and therefore renders his power impotent. He's also naturally quite simple to handle at range, and can be detained and incapacitated as simply as the average 17-year-old street urchin.
Real men playing Smash main Ganondorf Ike anyway.
For everyone's information, there's now a Post Catalogue section that can be added to your sheets if desired. Reach out to Wraith or I for the relevant coding.
You can check Luce's or Alyssa's sheets for an example of where it sits.
The past few days have been certainly something. I've thought about PRCU (and Ju-V) for awhile. Posted in the OOC/check a bit. Talked with some people here and there about their own thoughts and to just generally reflect on the situation.

To be honest, I do still want to RP Haleigh. She's a character I've had fun writing, one that I've constantly slung posts left and right out for. That being said, I was tempted to leave nonetheless. Admittedly, I've been simmering on issues with this RP, as seen above and in the DMs of the people I've talked to. This wasn't the first time I've had them, as @Lord Wraith would know when the "troll post" issue happened some months ago and ultimately led to a member of this RP being booted and banned from the thread (which itself is a whole another can of worms still half-open, IMO).

Despite all of this, I'm probably going to stay in the long run. However, this decision largely depends on whether or not communication and transparency can happen (for GMs and players). I genuinely do not think PRCU will survive without those two factors being part of it, as much of the drama we have had comes down to such matters. The inclusion of 12 new player slots. The "troll post". And now this. People on both sides end up feeling like they aren't being heard or consulted, leap to conclusions, lash out (myself included, which I apologize for if I've come off aggressive in the past), etc.

I guess what I'm trying to say is that I need people to promise (and I mean actually promise, not "yeah, sure" and forget about it) to actually engage and consult each other for me to 100% confirm that I'm sticking around. There is probably a better way to phrase that, but if people are more willing to actually talk things out, rather than have a constant break down in communication like we've had in the past, then I can see this RP thriving and a lot of the drama we've had never occurring again. Otherwise, the cycle is just going to keep repeating and we're going to get nowhere, making it pointless to stick around.




In all seriousness, Wraith and I both are glad that you, and everyone else, have decided to stay and continue writing for P.R.C.U.; it's been a wonderful IC so far, it's fantastic to see how much we're accomplishing (especially as a grizzled veteran of this setting), and Wraith cannot express many things, but one of them is how happy he is to see his magnum opus receive such an overwhelming response.

It's been a crazy couple days and, as you've said, I think the biggest takeaway is the how, ways, and wheres of communication, whether that be GM to player, player to player, or GM to GM. It's also been one big lesson on everyone's expectations of each other.

Ultimately Wraith expects to keep some degree of control and absolute verdict on how the game's run, and the players expect to be kept in-the-loop and properly consulted on impactful meta-game decisions. How do we marry up these at-times conflicting expectations, especially when clear and transparent communication is more important than ever?

Well, that's where we're planning I'll bridge the gap. It's common knowledge that Wraith has long discussed and consulted with me on the PRCU setting, and an open secret that he's continued to push ideas past and spitball off me over the course of the game. As a player, I couldn't (and didn't want to) offer much pushback or dissuasion; this is Wraith's opus, and I'd not do anyone the disservice of presuming to tell them how to run something so dear to them. Do I think the best decisions were made in the course of the game so far? No. Do I think Wraith still had good intentions, and wanted to provide the best possible condition for P.R.C.U? For the most part, certain incidents aside, yes.

Part of my evolving role as co-GM will be a kind of official GM-Player liaison. Wraith and I will always talk an idea or a decision out in the first instance, and then I can tell him what I make of that as a player and what I think the impact will be on the rest of the roster, and how we bring the idea to all of you before implementation. If a decision is completely immutable, then again I'm in a position where I can figure out with Wraith how best to deliver it, and the reasons behind it.

Alongside that, the progression of the game will now be a more collaborative effort with less snap decisions, and also more consistent as Wraith moves into a new stage of life and adapts to a new schedule (or, from what I've heard about other recent first-time-parents in my life, not having a schedule at all), which as we know was the very reasonable concern that spurred the announcement last week.

In the end - yes, we do promise - that's why I've been brought on board in an official capacity.
I mentioned in Discord a while back that I was considering tracking Luce's scars as her powers keep her alive through physical trauma. I've created a very basic diagram and for those interested or who would like a reference to use when interacting with Luce, IC, this image can now be found in the 'Notes' section of Luce's CS.
Luce woke up sharply, blindly fumbling about the floor beside her bed in search of her buzzing phone, seizing and pulling it toward her until the cable snapped out and she hit the snooze button. She rolled over onto her back, clutching the phone to her chest in both hands, awake but eyes closed; savoring these short nine minutes until the alarm rang out again and she really would have to get up. Nine minutes later she snapped open her eyes and shut the alarm off properly, before sitting up with a groaning sigh and swinging her legs over the side of the bed, bare feet touching rough carpet. She wiggled her toes and stood up, stretching in her underwear, feeling the morning chill cascade goosebumps up her skin, offset only slightly by the bright sunshine streaming through her small window.

She dressed quickly, pulling a grubby hoodie over her head to combat the brisk temperature in the house; despite the cold still clinging to them, even in these early summer months, her mother refused to spare the money for heating. Luce admonished herself for the irritation she felt. Her mother worked hard enough already, and her father's alimony, as absent as the mystery man himself, didn't plug the gap.

She peed, brushed her teeth, and then joined the rest of her family in the kitchen, sitting up to breakfast on a rickety chair after fixing a quick round of toast, smeared thick with peanut butter, washing it down with lukewarm coffee poured from the pot into a chipped mug.
James and Owen - Luce's brothers, both of them her elder - jostled her, lambasting that she held the room to herself while they had to share; her mother insisted young women needed privacy, trying to come to her daughter's defense and only managing to further spur on her sons, who now cajoled Luce about precisely what she was doing that needed such privacy. Luce didn't react to any of it, a learned response carefully-crafted from a lifetime of this routine. She just ate her toast and drank her coffee, letting her brothers wear themselves out. They soon did, and the kitchen lapsed into quiet contemplation, eventually broken only by her mother bidding her farewells, three rushed kisses on three foreheads before she was gone, out the door, not due back until the sun had set and the world dark again.

Luce watched her breath fog in the morning air as she, James, and Owen waited patiently at the stop for the bus. Her brothers chatted idly amongst themselves, occasionally pausing to invite Luce's input but she rarely gave it; often it was merely bait, and they seldom spoke about anything that had any real relevance to her. Again, it was a learned response: short answers, avoid detail, don't freely offer anything that could be later turned into ammunition. Her brothers were not cruel - not purposefully, at least - but they were insensitive, and often less concerned with Luce's teenage angst than their own amusement. There were moments - golden moments, that lit Luce's skin with a hazy warmth - where they came to her side, and in those moments the Calder's were a force to be reckoned with, and it was these moments that assured Luce they were both better men than their father had ever cared to be; but for the most part they were simply young men, past puberty but not quite into maturity, and content to exist in their own, Luce-less bubbles.

It was to that Luce-less bubble they quickly retreated when the bus arrived, and abandoned their sister for their friends at the back while Luce sat by herself up front, trying to ignore the social hubbub as friends and peers greeted each other at the start of a new day, greetings not proffered to her by anyone except the bus driver, who merely gave a nod before returning to his job.



The school day passed like many others, quietly, slowly, each minute inching by while Luce clock-watched, not entirely sure what she was so desperate to return to but self-assured that she did not want to be here, in Homeroom sat in the back corner, or in Math drowning amidst equations she struggled to understand, or in French receiving a quiz sheet handed face-down, folded over the teacher's thumb, signalling to everyone she'd flunked another test, or even in the cafeteria at lunch, again reduced to a silent observer, peering in from the outside at the bubbles of affection between friends, young lovers, scholastic comrades-in-arms. Luce wasn't bullied, wasn't teased, weathered no barbs from her peers. She was alone, a non-entity, of no real note to anyone at all. She ate her sandwich and waited for the bell.

English, the class before final recess, was her saving grace. They'd been studying Frankenstein, and the novel had consumed Luce's evenings as she read and re-read the tragedy; she connected harshly to the spurned monster at the center of the tale and his complicated tandem of craven rage and desperate love. When the time had come to write a report, she'd devoured the task whole, truly proud of her essay and handing it in well before the deadline, the first in the class to do so. She received it back that day - A+, gold star, and a warm smile from her teacher that she responded to in kind. She folded that essay carefully and slid t between the pages of her workbook. She'd pin it to her bedroom wall that same evening, and finish the novel again for the fourth time since its assignment.

The end of the day failed to maintain such noble heights: Phys Ed. Luce was a passable athlete, of acceptable stamina and athletic competence, but these qualities mattered little against the far more crucial measure of social stock. Lined up against the wall as teams were picked for hockey, she was used to her pick order: near-dead-last, and in actual play left to entertain herself while the puck was passed between the most popular students, boys in goal competing fiercely when their rivals shot but making cunningly poor plays when the right girl took a strike. Luce never got the chance to shoot, but she was confident she wouldn't make a goal if given the opening regardless. She felt invisible. It would probably be easier if she were.



She walked through the woods on the way home from school. They held no malice for her, not yet anyway, and with dappled sunlight filtering through leaves that had flourished in Spring, she felt peaceful. It had warmed throughout the course of the day and Luce took the opportunity to remove her hoodie and hook it into her bag straps, feeling the comforting heat of the sun on her bare arms and the nape of her neck. Surrounding her were the steady sounds of wildlife and nature; rustling ferns, chattering squirrels, chirping birds. She slowed her pace, letting herself linger amongst the trees.

Eventually she reached home, the house still and quiet. Her mother was still at work, and wouldn't be home until late; her brothers had headed into town proper immediately after school, hot on the heels of their friends. Luce shed her boots and bag - not before removing her essay from her workbook - and drifted back through the house to the kitchen. The pot on the counter still held the dregs of the morning's coffee; she emptied it into the sink, rinsing and refilling the urn before putting it back on to brew. A bowl of cereal understudied for a proper meal as a post-school snack while the coffee began to broil, and then with a full mug and another round of toast she switched on the radio and retreated to her room, leaving the door open just a crack.

She laid back on her bed, scrunched her knees up to her chest, and squeezed herself into a ball. She felt like she was compressing everything from the day into a small, easily-swallowed pill. It didn't work; it just made her arms hurt, and when she stretched back out, splayed across her mattress, each limb touching a corner, it all just radiated out from her core and filled her bones with a despondent heaviness that weighed her down and felt like ropes trying to pull her through the floor. She rolled over, taking a drink of coffee and a bite of toast. The noises of the radio, mixed banter and chart-toppers, drifted in steadily from the kitchen, and if she closed her eyes she could pretend it wasn't a radio show but others in the house, filling her home with sound and warmth; she tried to convince herself it made her feel less alone. She laid back down and closed her eyes.

Location: Dormitories - House Myotis
First Class #2.66: All Too Familiar

Interaction(s): Open to House Myotis PC's
Luce stared at the ceiling from her dorm-room bed, having been escorted from the community gardens to the intake house to collect her belongings - a process she'd dragged out while her erstwhile supervisor tapped his foot in an almost comical display of impatience - and then escorted from the intake house to the Myotis House dormitories. She'd had the opportunity to read her invite letters since arriving, although it mattered little now thanks to her self-admittedly petulant behaviour, and regardless she felt little about any of the envelopes or their contents. 'Intuition', 'Dependableness', 'Mindfulness'; she wasn't sure any of them recognized her truly, that same petulance dismissing them as superficial, horoscope-esque ambiguities. But then she wasn't sure she recognized herself. Perhaps the letters were as good an indicator as anything else.

The dorm was quiet, with no radio this time to break the silence, and Luce felt those old ropes. She'd been moved across teams, too, no longer a member of Blackjack with familiar faces to rely on and the opportunity to forge a true sense of belonging. No, it was Eclipse now, no doubt filled with strangers and pre-existing bonds, against which she was once again the outsider peering in.

She rolled over and rummaged in her suitcase, desperately seeking something to replace the oppressive quiet that reverberated around her skull. She found it quickly, her fingers brushing the pages buried beneath some crumpled clothes, and pulled it out; her old, battered copy of Frankenstein, spine limp and fragile, pages folded and torn, cover creased and wrinkled. She didn't even read it anymore, just held it, smelt the paper, ran through each paragraph in her mind, brushed her finger tips over the edges of the pages.

She got up. She couldn't take it anymore, lying in self-pity, letting the quiet invade her mind. Standing, she crossed her sizeable dorm room quickly (she wouldn't get used to the space afforded to her for the length of her academic career at P.R.C.U.) and headed for the kitchen. There was no coffee urn, instead some fancy, no-doubt-expensive espresso machine that could create all manner of varieties of coffee, but she wasn't after a variety, she just wanted a plain black coffee in a stained and chipped mug, with enough sugar to mask the taste of cheap, burnt beans. She rummaged through the cupboards; there was an open jar of instant coffee but no kettle. She settled for a saucepan on the stove, leaning against the counter as the water began to bubble and boil.

It was soon after she'd carefully poured water from the pot into her mug and taken her first sip of some truly awful, but nostalgic, coffee, that she heard rumblings from beyond the dorm, doors opening and closing and the hubbub of students approaching. The ceremony had ended long before but the weather had been gorgeous and many students hadn't returned to their dorms, the weekend just beginning and a Friday afternoon and long evening stretched out ahead of them. Now they were coming back in droves, and Luce felt a sudden pang of panic, realizing there was the potential of being cornered by complete strangers in an unfamiliar environment. She scooped her coffee from the counter and fled the kitchen, desperately trying to head back to her room in time to lock herself in, her hands on the door handle when-

Too late.

The door to the dorm hall swung open, and the faces of unknown peers flooded through, searching for the doors with their names attached on embossed plaques. Luce froze, eyes wide, jaw tight, one hand on the door, one hand clutching her mug, knuckles turning bone-white as they clenched.
"Hi there! I think we're new dormies! How exciting is this?!"
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