Eclair!
The chrysanthemum is a plant that prefers the ground: bushes and carefully shaped miniature “trees.” And yet here, in the center of the Chrysanthemum, there is a vast chrysanthemum tree, an ever-blooming rainbow of intricate petals. Naturally, iron bands are sealed around the titanic trunk in a dozen places, and Civil paper talismans dangle from innumerable branches; this wonder of a bygone age must not be the door through which evil enters into the city.
Steam wafts up from the roots, intermingled with giddy laughter and immodest sighs. Down below is the bath complex: spas, saunas, hot tubs, massage parlors, poolside dining, an entire aquarium, and a shrine to Heron of the Hot Springs.
Let the eye be pulled up by the double helix of the two sloping passageways that rise, floor by floor, into the heights of the Chrysanthemum. Here are more restaurants, here there are theaters, here there are private rooms, here there are parlors for esteemed guests, here there is a petting zoo with attached cafe, until finally one is staring up at the stained glass ceiling of this complex.
This atrium here is scarlet and gold, and so are many of the chrysanthemums that are painted on the walls and the pillars, carefully sculpted into tamed trees on pedestals, and which bloom irrepressibly on the branches of that vast tree. Guests track in snow, but it soon melts away. This is radiant, vibrant, lusty summer in full artifice.
Here, too, the dance of attendants and guests begins. There is, naturally, an initial hesitation to approach you among many of the attendants— for you are a member of the Order, and no few of them are themselves dressed as rather impractical maids. One might assume camaraderie, but the truth is that many such maids are self-conscious when confronted with the reality. Consider an actor pretending to be a dragon coming face-to-face with one of Noon’s wild dreams, and you will understand.
“Hey, slut.” This is when a third party interrupts the dance of attendants and guests by walking up and placing half a dozen catering boxes in your arms. Said third party is a Serigalamu girl wearing starglasses and a fur bikini, vivid yellow and black. An impressive series of chains and studs dangle from her ears, and various angular tattoos reminiscent of teeth are on full display. She is Younger Than You, and notably has a series of Kel braces (notable for being made out of semi-precious stones) on her teeth. “Take this shit up to my room and get it frigid, okay? And, Civvvv, are you dressed for repressed freaks or what?”
She smacks you on the rump with the kind of enthusiasm commonly used to encourage beasts of burden.
Hazel!
All that description Eclair just got above? That’s guest-facing. You are instead in the labyrinth inside of the walls, behind the glitzy facade of the Chrysanthemum. It’s well-built but all for purpose, all black wood and glowing crystal lanterns and stairs and counterweight lifts and staff, the majority of whom are proudly wearing rather impractical outfits.
Amali leads you down several corridors, waving cheerfully to various girls she recognizes, encouraging a boy(??) in a tight sequin dress and glittery makeup to “break a leg,” and generally acting like she’s got a spring in her step and an encyclopedic knowledge of this place. Eventually you end up at a locked lift, which she unlocks with a key before flipping a sort of toggle on one side of the lift before—
“Oh, Amali, hold up, would you?” An Avel boy bounds onto the lift, grinning. Several things are immediately apparent:
- He’s about a year older than you
- He looks like he does gymnastics
- He’s wearing a leotard that might put you in mind of the Olympics
- That is definitely several difficult colors of lipstick on his cheek and collarbone
- And also he is wearing an oversized collar and glitzy golden horns
“Thanks,” he says, taking a deep breath that just shows off that v-neck. “Yaz has got to know that we’re getting run off our feet out there! This is the biggest draw for the cabaret since the time we had the Twins doing that audience-participation show— and, hey, nice to meet you!” He offers you his hand. “Alcideo. Those antlers look really nice, and between you and me you don’t look half bad yourself, but if you’re interested in taking some shifts we probably want to brighten them up a bit. Wait, hold on— I didn’t get your name? Unless you just want me to call you cute, which I can do!”
His grin is dazzling.
Yuki!
Your first meal’s with a Civil, actually— one who’s headed back to Kel after having a big meeting with the goddess Civelia. She’s convinced that the Paladins are going to step in against the Khatun soon, and fortunately Suli’s there with you to do most of the talking to sell that she’s from Aestival’s minority Nagi population, headed north after the disastrous Queen of Light ceremony (though you do have to dial her back a bit, her frustration being a little too real).
Most of the meals you have on your way to Vespergift are like that, oddly enough— a lot of Kel, mostly Civils and construction workers and a very chatty gem salesman— but the last one’s the special one, because that’s when Heron Tiserian her own self enters the barrow to dine with you and Suli and Pasenne, flanked by two of her Handmaidens.
Rurik!
As you may have noticed, that’s your cue. The ritual of sacred hospitality and shared food on the Roads is one of the oldest in Thellamie, a central part of the world’s commerce and transportation, and something which should be taken very seriously.
The roles: one Heron and two Handmaidens. (Any other members of the Handmaidens in attendance will be dining in a separate barrow with different travelers.)
The food: enough for a light meal, likely reflecting Heron’s notorious habit of pulling random items out of the Food Bag.
The audience: two Nagi of Aestival, a merchant and debtor, and one young warrior from Kel.
Enjoy.
Cair!
So you told somebody that the Architect-Knight is loose in the Stacks, right?
You’re likely working on repairing that suit, and Kalentia’s likely keeping that Lunarian in quarantine until you’re finished; what’s certain is that you do have the material you needed. Because the Architect-Knight pulled it off a shelf for you before she continued stalking through the Stacks, searching for her hammer, somehow convinced (as far as you could tell through the rhyming) that you are In Cahoots and working together to bring down hated Heron, hurtful harlot.
So who’s in the loop, Cair??
The chrysanthemum is a plant that prefers the ground: bushes and carefully shaped miniature “trees.” And yet here, in the center of the Chrysanthemum, there is a vast chrysanthemum tree, an ever-blooming rainbow of intricate petals. Naturally, iron bands are sealed around the titanic trunk in a dozen places, and Civil paper talismans dangle from innumerable branches; this wonder of a bygone age must not be the door through which evil enters into the city.
Steam wafts up from the roots, intermingled with giddy laughter and immodest sighs. Down below is the bath complex: spas, saunas, hot tubs, massage parlors, poolside dining, an entire aquarium, and a shrine to Heron of the Hot Springs.
Let the eye be pulled up by the double helix of the two sloping passageways that rise, floor by floor, into the heights of the Chrysanthemum. Here are more restaurants, here there are theaters, here there are private rooms, here there are parlors for esteemed guests, here there is a petting zoo with attached cafe, until finally one is staring up at the stained glass ceiling of this complex.
This atrium here is scarlet and gold, and so are many of the chrysanthemums that are painted on the walls and the pillars, carefully sculpted into tamed trees on pedestals, and which bloom irrepressibly on the branches of that vast tree. Guests track in snow, but it soon melts away. This is radiant, vibrant, lusty summer in full artifice.
Here, too, the dance of attendants and guests begins. There is, naturally, an initial hesitation to approach you among many of the attendants— for you are a member of the Order, and no few of them are themselves dressed as rather impractical maids. One might assume camaraderie, but the truth is that many such maids are self-conscious when confronted with the reality. Consider an actor pretending to be a dragon coming face-to-face with one of Noon’s wild dreams, and you will understand.
“Hey, slut.” This is when a third party interrupts the dance of attendants and guests by walking up and placing half a dozen catering boxes in your arms. Said third party is a Serigalamu girl wearing starglasses and a fur bikini, vivid yellow and black. An impressive series of chains and studs dangle from her ears, and various angular tattoos reminiscent of teeth are on full display. She is Younger Than You, and notably has a series of Kel braces (notable for being made out of semi-precious stones) on her teeth. “Take this shit up to my room and get it frigid, okay? And, Civvvv, are you dressed for repressed freaks or what?”
She smacks you on the rump with the kind of enthusiasm commonly used to encourage beasts of burden.
Hazel!
All that description Eclair just got above? That’s guest-facing. You are instead in the labyrinth inside of the walls, behind the glitzy facade of the Chrysanthemum. It’s well-built but all for purpose, all black wood and glowing crystal lanterns and stairs and counterweight lifts and staff, the majority of whom are proudly wearing rather impractical outfits.
Amali leads you down several corridors, waving cheerfully to various girls she recognizes, encouraging a boy(??) in a tight sequin dress and glittery makeup to “break a leg,” and generally acting like she’s got a spring in her step and an encyclopedic knowledge of this place. Eventually you end up at a locked lift, which she unlocks with a key before flipping a sort of toggle on one side of the lift before—
“Oh, Amali, hold up, would you?” An Avel boy bounds onto the lift, grinning. Several things are immediately apparent:
- He’s about a year older than you
- He looks like he does gymnastics
- He’s wearing a leotard that might put you in mind of the Olympics
- That is definitely several difficult colors of lipstick on his cheek and collarbone
- And also he is wearing an oversized collar and glitzy golden horns
“Thanks,” he says, taking a deep breath that just shows off that v-neck. “Yaz has got to know that we’re getting run off our feet out there! This is the biggest draw for the cabaret since the time we had the Twins doing that audience-participation show— and, hey, nice to meet you!” He offers you his hand. “Alcideo. Those antlers look really nice, and between you and me you don’t look half bad yourself, but if you’re interested in taking some shifts we probably want to brighten them up a bit. Wait, hold on— I didn’t get your name? Unless you just want me to call you cute, which I can do!”
His grin is dazzling.
Yuki!
Your first meal’s with a Civil, actually— one who’s headed back to Kel after having a big meeting with the goddess Civelia. She’s convinced that the Paladins are going to step in against the Khatun soon, and fortunately Suli’s there with you to do most of the talking to sell that she’s from Aestival’s minority Nagi population, headed north after the disastrous Queen of Light ceremony (though you do have to dial her back a bit, her frustration being a little too real).
Most of the meals you have on your way to Vespergift are like that, oddly enough— a lot of Kel, mostly Civils and construction workers and a very chatty gem salesman— but the last one’s the special one, because that’s when Heron Tiserian her own self enters the barrow to dine with you and Suli and Pasenne, flanked by two of her Handmaidens.
Rurik!
As you may have noticed, that’s your cue. The ritual of sacred hospitality and shared food on the Roads is one of the oldest in Thellamie, a central part of the world’s commerce and transportation, and something which should be taken very seriously.
The roles: one Heron and two Handmaidens. (Any other members of the Handmaidens in attendance will be dining in a separate barrow with different travelers.)
The food: enough for a light meal, likely reflecting Heron’s notorious habit of pulling random items out of the Food Bag.
The audience: two Nagi of Aestival, a merchant and debtor, and one young warrior from Kel.
Enjoy.
Cair!
So you told somebody that the Architect-Knight is loose in the Stacks, right?
You’re likely working on repairing that suit, and Kalentia’s likely keeping that Lunarian in quarantine until you’re finished; what’s certain is that you do have the material you needed. Because the Architect-Knight pulled it off a shelf for you before she continued stalking through the Stacks, searching for her hammer, somehow convinced (as far as you could tell through the rhyming) that you are In Cahoots and working together to bring down hated Heron, hurtful harlot.
So who’s in the loop, Cair??