Gilgamesh had turned from uncaring to one thing that only one other mongrel had ever pushed him to:
Furious.
The mongrel had struck him. The mongrel, the mad dog had dared strike the king of heroes with her accursed powers.
"...you dare... you dare drag me down and make me STAND ON THE SAME GROUND YOU WALK ON?"
Gilgamesh considered unleashing Ea right there and then to dismantle this little pathetic charade, but the King of Heroes calmed himself. Such an opponent; a mad dog, was unworthy of being struck by Ea. Instead, he grasp what he remembered of the situation and smiled.
And he pulled out one more item from the Gate of Babylon. However, this item did not lose it's power. Oh no.
Legends were a mysterious things. Although called "Weapons", they still qualified as long as they were the crystalization; the manifestation of a legendary figure. So long as that was the case, then even though Gilgamesh usually only preferred actual weapons due to the fact he could just throw them at the enemy mundane objects were also in his treasure such as a knife, a jug of wine, wine cups, or a mirror.
Or a bag.
From the Gate of Babylon, a simple looking pouch appeared. The Kibisis Bag. Used by Perseus to hold the head of Medusa, it had a special property.
Power comparisons, draining and any other effect could be summed up as an "equation". "X" amount of power clashed against "Y" amount of power, and X amount was greater, so X won. "Z" amount of power could be drained through Pandora's box, "A" amount of power could be used to destroy a universe, so on.
The Kibisis bag was not bound by such things. No. The kibisis bag's concept did not lie in it's arbitrary power number to be inserted into Pandora's equation of drainage. Instead, the Kibisis bag's power lay in it's ability to change the very equation. Much like the bag expanded as Perseus battled against Medusa, user of Breaker Gorgon, the petrifying gaze, to envelop and protect the greek hero the prototype bag in Gilgamesh's hands also expanded to the size of a great tent enveloping Mia, Necrox and Gilgamesh. It was then that the bag's true concept, not power, but concept came into effect:
A reversal of reality. A mirror-type bounded field; a fold in space. What was "Inside" the bag, that was to say, Gilgamesh, Necrox and Mia, became "outside" the bag, while what was "Outside the bag" - namely, the entirety of Pandora and the entire space which it drew power from, became the "inside" of the bag. As a result, the entire "Space" of Pandora's box became something that was "inside" the bag, while, Gilgamesh, Necrox and Mia were "outside". When Perseus would use his inherited version in his battle against Medusa, under the very same protection Medusa, while uncovered by the bag and therefore "inside" the bag would attempt to use her petrifying gaze to turn Perseus, who was covered by the bag, to stone, but as her power was directed at something "Inside" the bag and she was unaware of the true nature of the bag's potential it was she that was turned to stone, as she was the one that was "inside" the bag. Much like Medusa, Pandora's power was working on the space it still enclosed - the entirety of the inside of the Kibisis Bag. Why was this possible? How would Kibisis Bag not be drained and stripped of power much like the other weapons? Because the moment it was drawn, it's effect of making the "outside" "inside" and the "inside" "outside" was already in effect.
Now enclosed within the bag, the legendary bag that was much more durable than one believed - for it had to be to be worthy of it's place in the King's treasury - for all intents and purposes Gilgamesh, Necrox and Mia were no longer "in" Pandora's Box". Pandora's box was "Inside" the bag. The three, on the otherhand, were "outside".
Standing at his full height once more and no longer obstructed by the draining, Gilgamesh gave a twisted little grin. This was not a comforting, or even a psychotic grin. This was the grin of a tyrant who was about to punish a rebellious servant. With a snap of his fingers, each weapon that fell from the Gate of Babylon, shamefully stripped of their powers, began glowing as their power returned. Returning the shamed weapons to the gate, Gilgamesh pulled out three more weapons.
Kusanagi, the famous Japanese sword said to turn the wind where it swings.
Mjolnir, the great hammer of Thor, said to bring down lightning where it struck.
Ame-no-nuboko, the spear which formed the Japanese islands in it's creation mythos.
The three legendary weapons fired themselves at Mia, this time no longer obstructed by the drainage of Pandora's box.
