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Wait, there are brownies!?

When did we get brownies? @Hound55 did you know about this?
Psh, reading the first post is for losers.


Stealing @Mao Mao's formatting, here's Dick.


Robin: The Boy Wonder
Dick Grayson Theme: While My Guitar Gently Weeps - The Beatles
Dick Grayson Theme (Alternate): Goodbye - Apparat
Robin the Boy Wonder Theme: For What Its Worth - Buffalo Springfield
Robin the Boy Wonder Theme (Alternate): No Time To Die - Billie Eilish
Gotham City Theme: Mask of the Phantasm Suite - Shirley Walker
Ending Theme: Fly Me To The Moon - Claire


If your application is missing the References/Sample Post, please try to get that in so we can start doing more approvals over the weekend.

Remember, once your application is complete, there's a 20 hour wait period.

Titans Assemble! I mean, Avengers Go! I mean... aw nuts.
R O B I N
Richard "Dick" Grayson, 11-12 (b. March 20, 1956)
Vigilante based in Gotham City, New Jersey
Part Time since Summer Vacation 1967


Character Concept


A year ago, Dick Grayson was at the lowest point anyone could find themselves.

This is the story you know, of a circus kid whose parents are murdered as part of an organized crime shake-down. Keeping that intact, Dick will be entering the story at the end of his first year as Robin. The goal is an approach to storytelling that builds in elements of both Detective Comics and Streets of Gotham -- the focus of which will examine race and class divisions in Gotham and Bludhaven in a variety of crime and "slice of life" stories centered around drugs, poverty, crime, and race relations. He'll also be showcasing the transition from childhood to adolescence as his outlook on truth, justice, and the American way evolves through the story and events. In this, Alfred will be a foil to him (representing the Greatest Generation).



The idea here is to be raw with the story. Dick is still close in time to his childhood trauma. This is a child whose very notion of stability has been shattered and now he finds himself drawn into Batman's war of vengeance. The key takeaway here is that Dick is an Olympic-level acrobat and gymnast. What he's not is leet, a ninja, or a leet ninja. He's awkward, impulsive, and has no idea what he's actually doing. But he's figuring it out (not really). This is Robin starting out, still sheltered by the shadow of the Bat, but braving the notion of independence.

Storyline pitches of note:

  • The CIA project MK Ultra will feature heavily in the overall story.
  • Hopefully cross-pollinate stories/posts with Batman, even if just for slice-of-life moments at Wayne Manor.
  • Hopefully cross-pollinate stories/posts with Batgirl to help vary the outside influences on Dick.
  • Hopefully make a connection with Impulse, to create room for non Bat-Fam story threads/angles.
  • Ideally, write with someone I haven't written with before.

Key Notes


The Earth-1 version of the Flying Graysons and Haly's Circus are intact.

The events of Robin: Year One (the Mad Hatter arc) are assumed to have taken place in the winter of 1967, just before this RPG opens, and will be referenced in flashback.

Dick is only Robin "part time." That is, non school nights or only so long as he keeps his grades up and does his homework. He's still a pre-teen child, so overnight stakeout operations aren't for him (unless he's had a nap beforehand), so his vigilantism is tempered by the social and physical limitations of being a child.

Characters of Note

Sergeant Renee Montoya
The daughter of immigrants from Santo Domingo, Renee is one of only a few women on the Gotham City Police, and assigned to juvenile and domestic crimes. She's been advocating for assignment to Major Crimes, but thus far has been told to leave the real police work for men to handle. As a minority, and a woman, she's frequently spoken for and her contributions marginalized. As she's noticed cases that the predominantly white detectives are letting slip, typically involving subjects of low class, she's begun to take up the cause of the down trodden and the forgotten.

Mitchell Mayo (Condiment King)
The (self-proclaimed) archnemesis of the Boy Wonder.

Lucas Fox
One of Lucius Fox's three children. He and his siblings are the only black children attending Brentwood Academy, where Dick is starting school. As the outsider and the new kid, they make a connection, which defies the understood social norm and exposes Dick to the notion of systematic racism.

Alfred Pennyworth
Shared with @Master Bruce. Dick's other surrogate parent, as Bruce tends to be a largely absent foster father. He serves as the primary foil for Dick, who discusses what he's learned (as he's learned/perceived it) and finds his notions challenged by Alfred's different generational outlook.

Notable Events and Lore
  • 1964 (age 8): Begins appearing in bit acts with Haly's Circus (juggling, tumbling, etc)
  • 1965 (age 9): Begins taking part in the Flying Grayson's act, coming to media attention and creating controversy over child labor in circuses.
  • 1966 (age 10): The Flying Graysons are killed during a performance in Gotham City. Bruce Wayne fosters the orphaned Dick.
  • 1967 (age 11): Independently solves the abduction of young girls and takes down the Mad Hatter while Bruce Wayne is indisposed during a Wayne Foundation charity event aboard a yacht.


Story Arcs
The concept that I have for Dick will be told through a series of three vignettes intended to allow for cross-over and collaboration or weaving into other's posts or stories, before launching into a more linear story that will serve as the summation of Dick's development to that point.

Streets of Gotham: Mary Jane's Last Dance
When a black-latina teen vanishes from off the streets of the Narrows, no one even seems to notice. Originally thought to be connected to the Mad Hatter abductions (Robin: Year One), Dick continues his investigation when the girl isn't among the Mad Hatter's victims, revealing that there may be one or more unreported murders. And Dick may be in way over his head...


Streets of Gotham: People Are Strange
An intentionally lighthearted take to break up the story themes. Dick tries to have the life of a normal kid his age, when Gotham is attacked by none other than... the Condiment King? Is this guy for real?


Streets of Gotham: Ballad of Fallen Angels
A boy Dick's age lies dying of a drug overdose in an alleyway in Gotham City. But what drug was he using? And how does a kid that age come by such a cocktail? The more Dick pulls the string, the more it looks like someone is experimenting on the homeless, the lost, and the invisible members of society.


Robin: As Tears Go By
Dick Grayson's first (unsanctioned) solo outing, as his investigation into the earlier incidents all point to the same orphanage in Bludhaven. What he finds there will forever change his view of truth, justice, and the American way. But first, he'll need to find a ride...


References / Sample Post


With this many martial artists, I await the League of Assassins Tournament Arc that seems to keep coming up in the comics.

Uatu the Watcher can referee the 1968 totally-not-Mortal-Kombat.

Also, since 1968 is the year this show first debuted nationwide in the US... my money is on Mister Rogers winning the tournament.
S U P E R B O Y
Matrix, ~300 years (constructed c. 17th Century CE)
Vigilante based in Smallville, Kansas
Active since 5 minutes ago (debut)


Character Concept


What if all that survived Krypton was the technology that they left behind in the universe?

Once a great empire of the stars, Krypton's wars nearly destroyed them. They managed to rebuild the society from near collapse, losing contact or even reliable information on the colonies they may have had at one time. History became legend, and legend became folktale. Then, hundreds of years ago, a man named Var-El set out to try and prove that life existed beyond Krypton, to include the lost colonies. After much study, he found several astrological objects with potential to be the fabled Lost Colonies of Daxam or Rokyn. Pioneering a method of fold space, Var-El devised a means of interstellar transportation but the means to transport a ship of living beings was beyond the capabilities of Krypton as it was then. So, instead, he devised a techno-organic probe -- sunstone suspended in a protoplasmic matrix -- which would be capable of enduring the journey, cataloging the planet, and transmitting its findings back to Krypton. Its ability to mask itself from visual light was a safeguard against contaminating a society or culture before it could be understood. However, in case of extraterrestrial contact, the probe was programmed to assume a non-threatening appearance.

This matrix arrived at the astronomical coordinates for object Y-217 sometime in Earth's 17th Century. After completing its survey of the world, to include the indigenous species, the matrix concluded that the planet was not one of the lost colonies. After settling upon an undisturbed area in the middle of the continent that would become known as North America, the matrix transmitted its findings and awaited instructions. It would lose the signal to Krypton a few decades later, after which the probe shut down.

Centuries past. The British Empire founded the colonies, which fought a War of Independence and, later, claimed the American west. The area where the matrix lay dormant was called Kansas. A veteran of the Second World War, Jonathan Kent moved to Smallville in order to escape the city life for a quiet retirement. While plowing the fields of his new farm, the man unearthed something unexpected.

Now, unable to contact Krypton, Matrix continues its mission by learning of the culture of humanity through the morals and stories of Jonathan Kent, when the news arrived: A robot hero, the Red Tornado.



Based on the Post Crisis "Last Son of Krypton" storyline, and drawing inspiration from The Big Guy and Rusty the Boy Robot, this is a take on the Superman mythos that borrows from the Post Crisis/Pre-Zero Hour Supergirl (Matrix) to create a different Last Son. The basic premise is that Matrix is a machine, inspired by the media accounts of Red Tornado, and sets out to be a hero like its fellow robot. What follows is a tale of trust and betrayal that asks, what measure is a man?

Nothing in this concept prevents a Kara or Power Girl, or an Earth-2 origin for Clark (or any other Superman family character). The notion is that, right now, Matrix believes it has merely lost contact with Krypton. Elements of that will develop over time to Matrix believing himself to be the last survivor of Kyrpton, but that notion will be challenged as the story unfolds as well (which creates room for other PCs to emerge within the shared mythos).

Ultimately, the goal is to create a character that I can tell solo stories/vignettes with, while being free to collaborate and jump across narratives as need be.

Key Notes


The reinvention here is that Matrix is cast as a Krptonian machine intended as a scientific probe, as opposed to an artificial clone of Lana Lang. The machine is composed of pieces of sunstone suspended in a protoplasmic matrix -- from which the probe derives its common name. Bio-neural circuitry produces telekinetic fields, which allow the matrix to re-structure or compress its mass. His actual physical appearance is a purple mass that is similar in consistency to wet sand. Outward appearance is alterable by means of holograms constructed through the principle of silicon magnetics.

Supporting Cast
  • Red Tornado
  • John Henry Irons
  • Cat Grant
  • Jimmy Olsen
  • Jonathan Kent
  • Martha Kent

Rogue's Gallery
  • Professor T.O. Morrow
  • Alexander "Lex" Luthor
  • General Samuel Lane
  • Metallo (John Corben)
  • Toyman (Winslow Schott)
  • Atomic Skull (Albert Michaels)
  • Titano
  • Eradicator - reimagined as a later model Matrix

Story Arcs
Superboy Begins
When an earthquake strikes Metropolis, Matrix stuns both the Kents and the world when he lends a hand to Red Tornado.

For the World Is Hollow And I Have Touched The Sky
Cat Grant uncovers rumors that LexCorps may have a new weapons program for the U.S. Government in development.

The Boy of Tomorrow
Metropolis is under siege from... toys?

Ballad of Fallen Angels
Superboy faces his most difficult challenge yet.

Krypton's Last Gleaming
A herald of Krypton arrives on Earth with a message.


References / Sample Post



"Superboy Begins" | Prologue | [ next ]
Post Theme

S M A L L V I L L E
Kansas, United States of America
April 14, 1964

“...up now we take you back to 1944 with this piece by the Glen Miller Band.”

The engine case on the tractor was open. A woman in a sun bonnet and a long skirt sat in the driver’s seat, watching as a man rolled up his sleeves and labored with a wrench.

“I told you, I didn’t like the look of that salesman.”

Wiping the sweat from his brow, the man shot the woman a look. Middling in his forties now, Jonathan Kent was a powerful figure of an aging soldier. “Just some bad fuel,” the man offered flatly, before adding, “Try it now.”

Pumping the gas pedal a few times, the woman leaned forward to turn the starter. The engine seemed to give a whirl of protest before the starter turned over.

Closing the engine case, the man pulled a rag from out of his pocket and wiped at the grease staining his hands. As the woman stepped down, he just looked at her and said, “Tractor’s fine.”

“Or I just married a good mechanic,” the woman tossed back playfully.

As she stepped by, the man gently smacked her butt to send her on her way back to the farm house. Then, tucking the rag back into his pocket, climbed up into the tractor and moved the tractor into gear.

The plow was already attached. The fickle contraption took an act of God to get going, then the engine had stalled on him in the middle of clearing the field. At this rate, it felt like it’d be summer before he had the field tilled. Easing the tractor forward, he grimaced at the notion that Martha might have been right as the vehicle lurched awkwardly. A sigh escaped him when it had finally started creeping forward.

Relaxing into the drive, the man just held the wheel steady as he continued on down the row. The goal was to have corn and cabbage planted, but if he was going to get caught up with the almanac schedule, he might have to take on some extra hands…

The tractor stopped.

Jonathan lurched into the steering wheel. It was only after the fact that the realization hit him. It wasn’t a stall, the plow had hit something. “Oh, God damn,” the man swore under his breath. The engine seized, then summarily died.

Martha had heard it. He could see his wife walking back from the house. Holding up a hand, he waved the woman back as he jumped down. “It’s all right. Something in the ground,” the man shouted, before glancing back at the plow as he stepped to the back.

Over on the porch of the house, the radio seemed to skip several frequencies. “Bottom of the seventh inning, Twins and Indians, the score now…”

Kneeling down, the man looked over where the plow seemed lodged in a purplish sand.. Flecks of something like gold stood out. It was, quite simply, the oddest thing he’d ever seen. Reaching down, the man pinched a bit of the odd substance. It looked like sand -- it had a grit to it -- but it felt more like... gelatin?

The radio slid over another band of stations. Andy Williams suddenly came across the air, singing, “A fool never learns and I’m gonna do the very foolish thing...”

There was a moment where Jonathan stopped being curious and a sense of dread sank in. The hair stood up on the back of his neck. It felt like...

It felt like there was someone standing over his shoulder.

From underneath the plow, the purple goo seemed to shift and move on its own. It floated up from the ground. Large droplets at first, then a stream. A series of streams. Jonathan took several steps back, watching with his jaw agape as a purple ball formed in mid-air.

When he finally found his voice, the man shouted, “Martha, get in the house!”

The purple ball just hung in the air. Hovering, like a bee over a flower. Except, there were no wings. It was just a... ball.

A ball of what, Jonathan was certain he had no idea.

A series of lights seemed to flicker around the ball. Then, he could hear his own voice echo back at him as he heard, “Martha, get in the house!”

The man took another step back.

The ball started to change. Subtle at first, expanding outward until something like arms, legs, and a head began to appear. The roughly humanoid shape was like a figure made of a purple clay, until there was a shimmer and...

And then Jonathan Kent found himself looking at a boy.

He couldn’t be more than ten years old. A mop of dark hair and a pair of blue eyes that seemed to glow. He was dressed in a blue shirt and red shorts, with red boots and a crest emblazoned across the front like a giant S.

The child’s feet silently touched down on the ground. He looked directly at the man. And then he said, “There is no cause for alarm.” Holding out his arms, palms open, the boy inclined his head toward the man, then slowly turned and did the same toward the woman. When he had turned back to Jonathan a moment later, he said, “I mean you no harm.”

Jonathan shot a glance over at Martha. She was giving him the same look. Mouth still agape, the man turned back toward the boy with more questions than he knew how to ask.

Hands still raised, the boy gestured faintly to indicate the spot that the plow had hit. “I was dormant here. It was never my intention to disturb you,” the strange youth offered. Then paused a moment, again looked at the man and then the woman. This time, when he spoke again, he said, “I have frightened you. My appearance is meant to be non-threatening. Is there a different form that I could assume which may put you more at ease?”

During the War, Jonathan had seen a lot of things he couldn’t explain. More than a couple he didn’t care to recall. Still, he’d have thought himself crazy for what he was about to say.

“You’re not human.”

Now it was the boy’s turn to be taken aback. Or, at least, he seemed uncertain of how to respond. “That is correct,” the youth stated finally. “I am still calculating my period of dormancy. Has your species made contact with non-human lifeforms?”

“Non-human lifeforms,” Jonathan echoed. He was trying to wrap his brain around that statement. He thought he understood it, but he didn’t like the implication.

“You mean animals?” Martha uttered, speaking up from where she stood off a distance.

The boy gave a tilt of his head. “Curious,” he uttered aloud, as though not certain, himself, just what to think of the two of them.

Jonathan recovered enough to ask, “Who are you?”

The boy looked back at the man. For a brief moment, the boy seemed to flicker and the purple clay figure underneath was visible. “As you have observed, this appearance is an illusion. Though, it is not my intent to deceive you,” the strange figure offered, as the child-like appearance again shimmered into being. “This form is intended to facilitate interaction. I am a what, rather than a who. A tool, or machine, if you will.”

“All right,” the man uttered, holding up a hand as he asked, “What are you?”

“I am a protoplasmic matrix. Or just matrix, if you prefer,” the youth answered, with the same seeming candor as before. Slowly, the child-like figure lowered its arms and then gestured toward the man as it asked, “To whom do I have the honor of addressing?”

The man’s jaw hung open a second time. The honor of addressing? Well, this was just a first time for everything. “Name’s Kent,” the man stated flatly.

“Mister Kent,” the boy intoned politely, then turned toward the woman as he asked, “And you are Mrs. Kent?”

“I’ll ask the questions, if you don’t mind,” Jonathan uttered. Hearing his own voice, he realized it was a tad more forceful than he’d intended.

Turning back toward the man, the child seemed to give a nod of acknowledgement. “I do not,” the boy responded.

Which, honestly, threw the man off for a moment as he hadn’t expected a response. Or, that response, anyway. When he recovered, the man asked, “You referred to yourself as a tool. Were you left here?”

“I am designed for exploration and research,” the boy stated, preferencing the explanation as he added, “I was conducting a geological survey of this area when I lost contact with my home observatory. When that happened, I assumed my input was no longer required and shut down.”

Yeah, this was going exactly where Jonathan had hoped that it wasn’t. “And this observatory,” the man began, pausing there as his mind was still working through the implications. A machine? No way he was Russian. Jonathan couldn’t fathom anyone with technology like this. “It's on another planet.”

Yeah, it sounded crazy. Even to him, and he’d just said it aloud.

“Mars?”

The child’s head tilted in the other direction. After a short pause, as though mulling that question over, the boy responded, “I am unfamiliar with an astronomical unit of that designation. Do you refer to a world within your solar system or outside?”

“Mars is the red planet,” Jonathan answered, in his mind trying to recall his school science lessons. “It's the fourth planet from our sun.”

“Noted,” the boy chirped, as a planetarium seemed to pop into being right over the man’s head.

“Holy Jesus...” the man uttered, taking yet another step back as he craned his head back to what seemed a night’s sky at mid-day.

“This is your solar system as I recorded it when I arrived here,” The child explained, reaching up to motion toward a red object. “So this planet is Mars,” the boy remarked, before pointing to a blue-green orb. “My creators know your world only by its astronomical designation Y-two-one-seven. How is it called by your people?”

Pursing his lips, the man just blurted out, “How long were you lying in that ground?”

A tangent. The boy seemed to pause, as though considering the question. Or, perhaps, how to address the question. “It is difficult to correlate time as it is perceived in different star systems. Without a connection to Kelex, I am unable to determine the present Krypton Standard Time,” the boy offered, all of which sailed straight over the man’s head.

“I’ll take that as you're not sure.”

“Accurate,” the boy affirmed with a slight nod. “I require further analysis of your stellar bodies to arrive at that answer. However, I have not previously recorded human development of electromagnetic frequencies or internal combustion engines,” the strange youth clarified, gesturing first toward the radio and then back to the tractor behind him. “Clearly, a significant period of human societal development has occured in my dormancy.”

“Earth,” Jonathan offered finally. When the boy again tilted his head, the man explained, “We call our planet Earth.”

“Thank you,” the boy offered politely.

Gesturing up at the planetarium, the man threw whatever sanity aside as he asked what seemed, bizarrely, the only sane question. “So you’re not from any of these planets, I take it?”

The planetarium illusion seemed to dissolve. For a brief moment, Jonathan got the sense that something like a fine sand was hanging in the air, before the boy drew his attention back to the youth as he said, “I originate from a planet located in a different star system, which my creators named Krypton.”

The man seemed to weigh that for a moment. “And Kelex is..?” the man asked, recalling the boy’s words from earlier.

The head tilt again. After a brief pause, the child spoke and offered, “Based on a limited perception of humanity’s present level of technology, it is difficult to articulate a response that may be within your comprehension.”

“Huh,” Jonathan uttered gruffly.

The grunt seemed to prompt the boy to consider his earlier statement. “I do not mean to demean or seem dismissive. It is merely a difficulty in composing a translation.”

The man merely gave a nod. Then, he started to walk around the child-like figure. “I take it you’re not intending violence,” the man observed candidly, rationalizing aloud as he explained, “If you were, you wouldn’t be lying in the dirt or having this conversation with me.”

“So why come here?”

The man and the boy each looked over toward the woman as she spoke. Gesturing faintly as she spoke, Martha asked, “If you’re from outer space, why come to Earth at all?”

The boy seemed to consider his response for a moment. Then he finally spoke and posed, “Your people developed telescopes in order to study the stars. Why did they do that?”

“You’re answering a question with a question,” Jonathan remarked from behind the boy.

“Because I believe our answers are one in the same,” the strange youth answered, turning to look at the man for a moment, then back over to Martha as he said, “And hope to provide you a human example that you may better associate with.”

“So you’re a….” Jonathan began, finding himself at a pause. What would someone from Krypton be called? If someone from Mars was a Martian, then: “Kryptonian?”

“No, but I was invented by the Kryptonians.” the matrix supplied in answer. “Three matrices dispatched to three different astronomical objects in order to answer several questions about those planets. I was the matrix assigned to study this planet you call Earth.”

“So what were the questions?” Martha asked. When both Jonathan and the boy had looked her way again, she added, “The ones you were sent her to answer.”

“Is there life on this planet? What kind? Does the life exhibit art, music, language, or demonstrate social constructs that may be unique to it?” the boy rattled off, before he paused and stated, “I am not a living being as you are, but if I understand my creator’s desires then I believe the ultimate question is, are we alone in the universe?

Are we alone in the universe. Jonathan couldn’t have said he hadn’t heard the question posed before. Perhaps a dozen times. “That is the ultimate question,” the man echoed finally.

The boy turned to regard the man for a moment. “It resonates with you?”

“I think I understand it, yes,” Jonathan answered, oddly finding himself at ease with the strange figure.

The man glanced over to his wife for a moment, as though debating his next words carefully. Then, turned and asked,“You still have no contact with your observatory, I take it?”

“I have initiated a signal to indicate that updated information is available,” the boy responded simply. “However, due to the distances involved, it will be approximately one of your years before any response may be forthcoming.”

“Well, I seem to have plowed your resting spot,” Jonathan noted, laying a hand on the till. Glancing down at the boy, the farmed asked pointedly, “What will you do until then?”

The matrix again gave a tilt of its head as it contemplated the inquiry. Then, when he had looked up again, asked, “You appear to be in the process of tilling the soil. May I be of assistance?”
this is the style of sheet I will be using



YOINK.EXE HAS LAUNCHED


You and I have done this before. So, like you, I have an idea on the shelf. Going through the music of the period looking for ideas.

[ Prev ] [ Soundtrack ] [ Next ]

| R O C K O F E T E R N I T Y

An arc of lightning traveled through the air. Splitting apart, the spark seemed to blossom into a column of light, which then faded into a roughly humanoid shape.

From out of the light, the equine alien emerged. Kymellians stood upright, with a humanoid frame that included standing upright on powerful legs with a reversed knee joint and large, hooved feet. His head was shaped like that of a horse, or a pony in his case, as Kofi was not yet full grown.

The young Kymellian was still attired in the blue costume with the golden lightning bolt and flowing red cape. In mid-stride, a bolt of lightning struck, reverting the alien child back into his normal clothing. It was similar to a sleeveless tunic or toga, leaving his arms bare, even as it dressed his torso in a shimmery, cloth-metal fabric that was unlike any substance found on Earth.

Glancing up, toward the throne at the top of the Rock of Eternity, the horse-like youth saw the raven haired human child seated there. Billy Batson was seated sideways, across the throne, with his chin clasped in one hand, and his gaze distant, staring off into a magical projection of the planet Earth, with any number of scenes playing out in bubble-like windows orbiting the illusion.

It seemed a lonely vigil. But also, perhaps, a fruitless one.

Kymellia had largely eliminated crime through education and social enrichment programs that had become integrated into their culture as they had advanced technologically over generations. Humanity, on the other hand, still managed a global average of 490,000 homicides a year, in addition to a litany of other crimes. Human trafficking, the sale of other human beings, remained a concern, as did illicit narcotics and piracy.

No matter how powerful any one individual might be, hero or not, those were larger social issues than any single person would be able to solve for the planet.

All Shazam could do is watch.

Kofi imagined that kind of vigil could take a toll on a person. “Have you even started on your homework?” the Kymellian asked, even as he rounded around to one side of the rotating globe.

Reaching up a hand, the horse-like youth expanded one of the balloon like visuals. Blood diamonds in Africa. Aptly named.

If they intervened there, then what about the ship that was capsizing off the coast of Jamaica? Or the earthquake happening in India?

They were forbidden from interfering with time. The possibility of igniting multiple parallel realities was replete with danger. It made it to where the moment and time of their intervention was paramount, because even Shazam could only be in one place at one time. “I can let you copy my math, but you’re on your own for the book report,” Kofi noted, dismissing the tragedy that was happening in the African continent for the time being and instead returning his attention to the boy on the throne.

Billy still hadn’t so much as acknowledged that he was here.

Arm outstretched, Kofi changed the topic. “I contacted the Technomancy. My people are handling Skratt and his crew. They’ll make sure to turn them over to the Zn’rx unharmed, but I think they’ll think twice before visiting your planet again.”

Had Billy even blinked? The human child just lay across the chair, brooding as he seemed to bore holes through the illusion of the globe with an icy glare.

HEY!

Kofi surprised himself, the snap more forceful than he’d intended. Yet, it seemed to have worked. Billy’s gaze flickered, moving from the planet hovering there in the midst of the Rock of Eternity to, at last, look down at the Kymellian.

“It is difficult to have a conversation when only person is talking,” Kofi noted simply.

Billy’s hand fell away from his face. The boy shifted his body so that he was seated upright, leaning forward with his arms resting on his thighs. “Why didn’t we do something?”

If the Kymellian seemed confused, then the reaction was genuine. “We did do something, Billy Batson,” the boy responded in a matter-of-fact tone. “And two people are ali...”

“We both saw Courtney in the school yard,” Billy stated, interrupting.

Kofi paused. For a moment, the reference almost slipped by him. Then he recalled. It had been an anomalous energy that the two had associated with Courntey as she had passed them. “We didn’t know what we were seeing,” the Kymellian answered. Which, was still the case now and seemed, in his mind at least, not associated with the Zn’rx incident. Had that energy been Zn’rx in nature, then Kofi would have recognized it. “It was not logical...”

Logic?

As soon as Billy had echoed back the word, Kofi realized that he’d made a mistake. A roar of thunder caused the temple to tremble as if in the grips of an earthquake, as Billy’s voice boomed from all directions.

A BOY IS DEAD BECAUSE WE COULDN’T BE BOTHERED.


Kofi winced in pain from the sound, even as he kept his footing. “You are having an emotional response,” the Kymellian snapped, chastising the sorcerer before him. “The knowledge you possess now informs a piece of information which you lacked in that moment in the past.” It was regret. A primitive emotion informed by hindsight and fueled by misplaced anger.

Any logical ought to have been able to rationalize their feelings.

However, Kofi had found humanity less than rational.

As though confirming that assessment, he found a rather shocking amount of venom in Billy’s tone as the boy spat back, “I suppose a guilt complex is also logical, is that it?”

Frustration was also an emotion. Once which Kofi found himself struggling with. Particularly since arriving here as Billy’s understudy. Burying his face in his hands, the Kymellian let his fingers run through his mane before he blurted out, “I do not understand how your species has managed to not destroy itself with these emotional outbursts!”

Turning, the horse-faced youth put his back toward Billy. “I came to inform you that the Zn’rx had been handled. I have done so.”

With that, Kofi walked away and prepared to take his leave. A magic circle formed at the boy’s fingertips, as he prepared to teleport away. Then, pausing a moment, looked back to ask, “I will see you at school tomorrow?”

Billy didn’t answer.

A pregnant pause lingered in the air, after which Kofi gave a sigh and raised the teleportation spell.

“Did the Zn’rx say why they were here?”

Kofi grimaced. Tempted to ignore the question and teleport away, as Billy had treated him in like fashion. However, the youth finally dispelled the runic circle and turned around to talk across the throne room at the boy seated there as Shazam. “Merely that they were attempting to recover something. Which I presume was a false pretext.”

Billy seemed to mull over that information, then gave the Kymellian a simple nod of acknowledgement.

Kofi gave a heavy sigh. “Good night, Billy Batson.”

“Good night,” Billy whispered in reply, dully watching as the Kymellian boy vanished into a column of light, which then zipped away as an arc of lightning.

After the Kymellian had departed, Billy stood up. A runic circle formed at his fingertips. As he stepped down from the throne, the illusionary Earth seemed to expand outward. By the time Billy had stepped off the steps of the dais, it was as though he were walking through the hallways of the Fawcett City General Hospital. Doctors, nurses, and patients mulled about, as the boy peered in on Courtney.

A woman -- her mother? -- was sobbing as she hugged the girl.

A wave of Billy’s hand, and the building seemed to morph around him until he was standing in the morgue.

The man that had been with Courtney -- her father? -- had his head in his hands, a clipboard and paperwork in his lap, as he sat out in a hallway outside the cooler.

The man’s answer to Billy continued to echo in the boy’s mind.

I’m aware.

With a wave of his hand, Billy dispelled all the illusion. Save for the clipboard and the paperwork that had been in the man’s lap.

His name wasn’t Whitmore. It was Dugan.

Pat Dugan.

“Who are you, sir,”the boy asked quietly, as the clipboard faded from out of his hands.

And what did he have that the Zn’rx wanted?
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