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Recent Statuses

10 mos ago
Current Sad to say I'm currently experiencing Writer's Block. Luckily I learned Writer's Kung Fu and I can chop the block in half with my hands like Bruce Lee
8 likes
12 mos ago
Why is the sun like bread? It rises in the yeast, and sets in the waist. Haha! Isn't that so cute? Join my RP or more puns will come.
8 likes
1 yr ago
What's the difference between a Hollywood actor and a piece of driftwood? One is Justin Timberlake. The other is timber, just in a lake. Hahathisiswhati'mdoinginsteadofwriting
4 likes
1 yr ago
Hey, folks: I've just kicked off an RP, a fantasy where you can worldbuild as much as you can adventure. So if, like me, you like worldbuilding nearly as much as writing, check out Pilgrim's Caravan
1 like
3 yrs ago
That moment when losing a character in a rougelike makes you want to shed tears. No backup. It's gone.
4 likes

Bio

Current RP I want you to join: roleplayerguild.com/topics/191461-car…

Hey y'all. I've been at this for about 10 years, and I've played a lot of kinds of RP. I like fantasy and sci-fi the most, just because they give me the most to play around with, but I'm cool with almost anything. I just like writing.

Most Recent Posts

@Tortoise Hmm might throw my hat in, but I want to know if we are restricted to being smooth skin humanoids? I ask because I have an idea of a race I made in an rp I never got to use. A race of short communal reptilian humanoids like kobolds but more sociable and less stabby.


Absolutely! No limits on race at all. Imagination is the limit.
Those who I've already discussed this with:

@Irredeemable
@Lady Lascivious
@Crusader Lord
@TimeMaster
Through the Rifts: Progeny



Do your people remember their homeland? The Plane from which they first came? It is called Gaia, a massive and beautiful world, full of life and magic, a world of swords and spells and mystery and longed-for beauty. Or, at least, it was. Before the Cataclysm ended that pretty old song.

We are the survivors of that Cataclysm. We are Gaia's disparate children, sent haphazardly through the Rifts- magical gateways that led us from the world of Gaia to new homes. Each one went somewhere different, a different Plane of existence. Our people were spread across countless extraplanar realms, some living in worlds wreathed in flame and inhabited by demons, others finding themselves lost in great green forests. We were spread apart, disconnected from each other and our home.

Now, five hundred years later, the Rifts have reopened. And we are beginning to find one another.



-~-~-




General Idea


This is a fantasy spin-off of my successful science-fiction NRP, Through the Gateways: Humanity.

Now, for me, the most interesting part about NRP has always been the interactions between different cultures. How does the warmonger react to the pacifists? What happens when a group of religious faithful meet a society of atheists?

As we have in Gateways, that's what I want to focus on in this RP. But instead of sci-fi, we're going fantasy this time around. We're going to each be playing as a roughly medieval nation, descended from the original settlers who were sent through the Rifts and into other Planes. The world we came from was the typical fantasy realm, where magic is real, and elves and dwarves probably hopped around. But when the Cataclysm happened, an apocalyptic event that caused the environment of Gaia to become uninhabitable, we were forced to open magical portals to other worlds and flee there instead. That's where your people have been living for 500 years.

Now think about what might have happened to them in this time. Did they land on a harsh plane, and used dark magic to survive? Are they ruled over by a ruthless tyrant? Have they made pacts with whatever creatures live there already? Or have they managed to stay true to some chivalrous, knight-like ideals? I want this to be heavily culture-focused, so your imagination is the limit. (As long as you don't break the medieval tech limits, don't be afraid to go somewhere that isn't typical fantasy.)

Now, for reasons unknown, the Rifts have reopened. All at once. For the first time in five centuries, our poor little countries will be sending their scouts into the Rifts and finding one another. And personally, I think it could be pretty fun to RP these early 'first contact' interactions. Seeing how our different people respond to one another. And as the RP goes on, I'm not opposed to anything; war, trade, diplomacy, or whatever else.



-~-~-




How Do the Rifts Work?


Magically!

Alright, alright, more importantly, there are some rules that make this RP work. Like:

1.) All Rifts connect to all other Rifts
The Rifts magically offer anyone who enters them a choice on where they want to go, so long as their desired location also has a Rift. This means that every Plane can get to every other Plane, so that none of us are prevented from interacting with one another because we're not close enough together on a map

2.) There's no way of traveling throughout the Planes other then the Rifts

3.) Since the Cataclysm, the magic to create new Rifts has been lost.
This is to prevent anyone from spreading out into new Planes, so that the focus stays on us interacting with each other rather than trying to expand throughout the extraplanar worlds :



-~-~-




Magic and Technology:


This is a Medieval Fantasy RP. I'm imagining that the world of Gaia was in the Medieval Ages when we left for the rifts, probably around the equivalent of 12th century Europe. Hoooowever, what happened on the other side of those rifts is up to you. Maybe your people had an Enlightenment as soon as they got there. Or maybe the centuries of isolation have allowed them to forget much of what was once known, slipping them back into antiquity. As a result, I'm allowing tech levels to be anywhere from the early Iron Age to the very start of the Renaissance. (Guns, however, are a banned tech.)

All that said, I'm just one man, and I can't reasonably research, debate and rule on every technology. So when you fill out your NS, you only need to give me a general idea of what they know. As long as you're not coming at me with machine guns and tanks, or with sticks and stones, it'll probably be chill.

With magic, I'm going to play it by ear.

You can go high or low, from fireballs to simple card tricks, when imagining the magic that your people use. It may be that your Plane lends itself to a particular kind of magic- perhaps you live in a place where there are new gods that empower your wizards in new ways? Or, perhaps, the whole of the Plane seems to make mysticism fizzle out and spells go awry. Maybe the only spell that works in your world is the one that summons pink frogs. Use your imagination and give us something interesting!



-~-~-




On Joining and Leaving:


If someone wants to join after the game has already begun, I've decided I'll just say that the Rift leading to their plane has only now opened. Likewise, if someone leaves or goes MIA, we can say the their plane's Rift just shut down as mysteriously as it had reactivated. In this way, the NRP should be able to accept new players whenever, and survive losses without grinding to a halt. It has worked so far for Gateways; here's hoping it'll work here too.



-~-~-




Interested?


Worry not, you don't need to have been in Gateways to play with us here. The NS is below!



Also, here's the Discord link!: discord.gg/hxQVFpHZ



-~-~-




Rules


1.) No godmodding, or controlling other player's characters/nations
A basic rule in any RP. You know it, you love it.

2.) Cannot fully conquer other player's nations without permission.
You can go to war with another player. But you will need the a-okay from them before I allow you to completely exterminate/assimilate/remove another nation from the game.

3.) If conflicts cannot be decided, the GM will arbitrate.
This goes for IC and OOC conflicts. I always prefer for people to work things out mutually. Ideally, everyone can agree about who wins/loses wars, or who has the upper hand in trade, or so on. But if you can't, I'll step in to try playing judge fairly.

4.) When using concept art for your NS/posts, avoid anime pictures.
I'll allow some! But I don't want the RP to feel too anime, so try to keep it light. (This one is less of a rule and more of a guideline.)

5.) No way to stop others from entering the Rift into your plane
You can set up defenses around it, of course. But you can't actually prevent someone from entering their Rift and heading through to yours. You'll just have to stab them when they get there. (This is so that wars and other fun interactions don't just grind to a halt with a player saying "I'm closing my Rift!")
(Addressing: @Irredeemable, @Lady Lascivious, Mentions Others)

[Starring: Omar]


It needs to be a show. Omar knows that, even as he doesn't like it. He wants to be honest by nature: he wants to step up there and simply say what he has to say. But Bezia is New Hollywood- he hates that Oligarch name- and New Hollywood demands a performance. The director told him: stand just so, wear just this, let this song play and this atmosphere build and give this impression, to make a good impression on the Meeting Place. Don't frown. Use that broad smile. Wear your glasses, don't listen to the feedback chatter. Be a performer.

He feels like a marionette.

Omar has his glasses on, an earwig in his head. Not the biological kind: a metal earwig, a descendent of the headphone, sits buried in his right ear. His curly black hair hides it, that devilish little device, while a cosmetologist-costumer frets and frets over him. She wants to make sure his outfit is just right. Absolutely perfect. She's given him a long, light brown robe, hoodless, loose around the limbs. (He supposes this is her attempt at making him look "religious.") But, funnily, the robe has a little patch in the shape of Earth- sewn right where the heart is. Probably meant to say Look, we still respect Earth too!

"Oh, honey, don't be such a sad guy," the cosmetologist reads his face, and speaks in a near-perfect recreation of a late 20th century Bronx accent. "It's gonna be alright! This gonna be your first time on stage? Just focus on all those words that they made you rehears, you know, and-"

"It's not at all my first time on stage," Omar tries to interrupt, "but it is my first time getting makeu-"

"-if you have to, imagine the audience naked!" His costumer pauses, placing a makeup brush against her chin in a thoughtful way. "Or was it in their underwear? Eh, I can never remember, just do one or the other and you'll be fine, sweetie, absolutely fine, now let's get your little outfit finished- Ah! You're gonna look amaaaazing!"

Will he? Good to know. Omar tries to take it all in stride. He remembers the Ruinist philosophy on situations like this well: recently, he's contributed to some of it. One cannot fully control one's circumstances, they teach, so one must instead readjust one's interior life to accept them. He knows this. Life and Truth will not bow to you; it is your duty to bow to them, drinking the cup that is placed before you. Whatever the situation, one must brace oneself and weather it. This is where peace lies-

"Here you go, honey," Omar's costumer interrupts his attempt at philosophy. She's busy tying golden fabric from his shoulder to his hip, making for a lacy, glittering sash. Huh, he realizes. It's actually unique. A costume worn by a man of New Hollywood- scratch that, Bezia- which isn't an imitation of an Old Earth outfit. Clothes with no connection to the past, made for this particular occasion, by designers working today. It would be a sin under the ECU. That thought does give Omar's heart some hope. Not all that is new has been lost to the old show.

"Get outta there, it's time to go on stage," a man's voice speaks softly and directly into his right ear, and Omar finds himself perfectly in agreement with it, "we've got 120 seconds 'till camera roll." The cosmetologist-costumer makes a face of surprise when big Omar turns, fast, and escapes out of her clutches. She is left with a comb hanging limply in her hands, frozen mid-brush. He realizes she can't hear the director. Now, he thinks, the pomp has gotten all the way into my head.

"Oh, uh, uh- good luck with your debut!," she calls behind him, from her habit of talking to all those fresh young actors, but it makes him cringe inside. This is not a debut. He is a serious Liaison. Truth, I need you to walk onto this with me, and walk off it with me. From a dark, cramped backstage room, he approaches the stage proper.

And by Truth, is it a stage. A newly built section of the Meeting Place, attached at the hip to the White Flower segment, provides a theater-like environment dipped in gold and soaked in the atmosphere of an early 20th century construction. If you were to yell in here, your yell would rise up to balconies, pass bronze railings, climb wood-panel steps and echo right back to you off a far-distant wall. ('We can't let the Zetans or those Ishtari show us up,' someone recently claimed.)

Not that you would ever need to yell. Clever acoustics promise that if you were to whisper from the stage, they could hear you in the thirty-fifth row, and talk back to you from the second balcony. Seating for two thousand. A stage that is, tonight, set for one: Omar.

He steels himself. Any recurring butterflies in his stomach have been firmly squashed. After his success with the Ishtari, maybe he shouldn't be worried?

No, he knows he is capable. Liaison Affan is nothing if not a people person. He can't see them from here, still being behind the stage's curtain, but representatives of several nations are present, each invited by the Flowers for this occasion. All together, they fill up not even a tenth of the available space. The room must be comically empty. But the Flowers know that any second now, holograms will appear to fill up one-thousand-five-hundred seats: all of which were given to a random citizen by lottery. Scattered all over Bezia, those 1500 citizens are sitting in holo-suites, waiting for the show to begin. When it does, their holo-suites shall immediately take the form of the Meeting Place's Flower Theater, and they shall immediately appear as holograms in the real one. They'll watch virtually. Empty seats are ugly.

"Five, four, three..." the director counts down in Omar's ear. He steps out from the back and onto the main floor of the stage, as velvet curtains slowly pull away, "...two, one. Go time. You've got this, Affan."

The currents are drawn. The holograms of Flower citizens have already appeared, shamelessly swiveling and gawking around this huge room. But in the front seats: there sits the nations. So calm and diplomatic. Omar recognizes the patricians, and wonders if any of them recognize him. He spots their Alfonso. A member of the One lurks somewhere further to the back. And, many seats away from either, Omar spots the Isthari- seeing them does make him smile.

Let's go.

"Ladies and gentlemen," Omar speaks like a showman, inspired by his surroundings, "my name is Omar Affan, Liaison of the White Flower Democracy. I would like to thank you all- my countrymen and visitors both- for coming tonight, whether by hologram or in person. I do have announcements to make. But first... I have a story for you."

A chime strikes at his last words. He is no longer the only person on the stage. Ghostly apparitions of holograms slide into being around him, not at all like the ones occupying seats, abstractions representing figures out of Bezia's past. They're human shaped, without detail: silhouettes in color. They are entirely green, or entirely golden, or entirely blue. They're not-quite-perfect in shape, like a splash of watercolor paint.

"In the beginning, there was a tyrant."

Those shadowy beings of color start to move, a watercolor blur trailing each movement. A single, black figure appears, shorter than the rest, whispering in their ears. Every character he speaks to turns a shade darker, until flowingly, in graceful movements, he leaps away from them like a dancer and slides to another. The darkened shades follow him across the stage.

"This was the first Savant..."

As Omar recites his story, the holo-actors flow with him, enacting each scene like a painting. (Later, it will be found that a recording of the event can be paused on any frame, and will lose none of its splendor.) He moves poetically and slowly through history of the ECU, sparring nothing: he talks about the London Assassinations, the Savant's Seventh Principle, the violent suppression of the '38 Beijing Riots, the horror of it all. Many scenes would make their guests grateful that holograms cannot suffer. And that these holograms do not have faces.

He glances pointedly at the Matuvistans more than once, as if to say 'These tyrants were your allies'- without actually saying it.

Eventually, he comes to modern times.

"The protectors," Omar's voice fills the hushed room, "were a lie. They never protected. They were first founded after an Oligarch's violent death. Vengefully, they carried that same violence into everything they did..."

A figure in gold crushes his mace into a figure in white, sending red watercolor blood to float slowly through the air. A drop passes by Omar's face. When he speaks, it seems to blow away at the breath of his word:

"Until."

As he says that magic phrase, the scene behind him shifts dramatically. New figures appear out of thin air, filling the stage, cramming it to absolute bursting with scenes of New Hollywood history. Directly behind and around Omar is a scene of the Revolution, white specters wrestling against golden protectors and red shapes that might be Matuvistans. To the left of him lie the Beijing Riots, to the right the murder of Dr. Yung, to the far left a work camp, and to the far right the rise of the first Savant.

"Until," Omar says again. By microphone and acoustic tricks, the word echoes through the entire theater. The shades hear him.

From behind, the Flowers move out of their scene of Revolution, invading all the others. They jump in front of Dr. Yung just before the bullets crash into her. They free the prisoners of the work camp and aid the Beijing rioters. They drag the first Savant off the stage and into the darkness behind it. It is as if they are pouring backwards into history, dismantling all the tyranny, righting all the wrongs. It is a message: we're not only taking power; we're setting the past right again.

Omar goes on for a moment, painting more scenes of battle, victory, violent-glorious revolution. He, wisely, never mentions those foreigners they fought against by name- but the implication is there. The play ends with a lone silhouette, white and shredded with ghostly cuts taken in battle, standing alone. A crown shaped like a flower is on its head.

Whatever the foreign diplomats feel about it, that audience of Flowers bursts into holographic claps that drown out the room.

~~~~~~~~


As promised, Omar does make some actual announcements.

Eventually, the clapping dies down, and the room slowly returns to sobriety. "Ahem," Omar says. Those few Flowers still celebrating calm themselves to listen.

"Now, I did gather everyone here for some reasons other than a history lesson-" pause for laughter, take a breath, resume- "and in fact, there is some important business to get to." The true delegates and ambassadors in the room prepare themselves.

"In the last six months, the White Flower Democracy has been in formation. Our planet, as many of you know, was in an intense cycle of recovery and repair following recent events. You know the events I'm talking about. We regret that, during that time, we have not always been able to be as active on the intergalactic stage as we would have preferred. But I'm here to reassure you all: that ends tonight. We are reaching out formally, to all nations, to establish true diplomatic and trade relations. This offer does extend to those who may have been former enemies. We are not unforgiving: the WFD understands that the nature of international diplomacy sometimes causes a nation to take one side or the other. We've decided we won't take it personally." In other words, the door is not totally closed to the Khanate and the Matuvistans.

"There," Omar smiles, "that's the boring part out of the way. The more interesting bit is this..." In his soul, the Liaison must admit, he relishes this moment.

"Months ago, during the Revolution, many of your nations received some rather cryptic messages from the terminal of then-Liaison Abadi. A few sentences, reading something like:

'Some say you're for us, some aren't so sure.

Come out the shadows. Fight openly for what your heart knows is right.

And one day,

We'll pay you back,
A Flower That Grows Where Nations Meet.'


You will have realized that they were not from her. No, in fact, they were sent from a Flower who was embedded in the Meeting Place at the time. He had been there since it's opening, since even before the Revolution. Those messages he sent at last were... to poke the bear, so to speak, and see if it lashes out at you. To remind all of you in the intergalactic community 'We are here. We are not only rebels on New Hollywood. We are present with you right now.'

It was me. I am the Flower That Grows Wear Nations Meet, and I am pleased- no, proud- to have been the first citizen to question the Undefeated, to thank the Columbians, to criticize the Khan, and to apologize to the people that were then known as the Zetans and now as the Enlightened."

Pause for reaction.

"If any of you have qualms with what feelings I may have expressed, you may take them up with me. Personally. The White Flower Democracy did not exist at that time that I sent those messages, so naturally, I acted alone. But do not misunderstand: I stand by what I said.

Thank you all for your time."

As Omar turned to walk off the stage- now free of holographic actors and specters- the smooth and low voice of the Director spoke into his ear "Making yourself a martyr, Omar?" Indeed he was, but that word reminded him of something.

"Oh," he said, turning for a moment back towards the audience, and thankful his voice was still echoing properly through the room, "as a final note, I am pleased to announce that Bezia is officially opening her borders to visitors. Please, come see our land. Unlike the ECU, we are not afraid of foreigners, or their ideas. Previous restrictions against religion have been fully lifted. You are all welcome here."

For a moment, as he turns away, Omar accidentally makes eye contact with a Matuvistan priest who came along with his nation's delegation. A tall, imperial man in a black robe with a white collar at the neck. He nods grimly to the Liaison.

Then I suppose we'll see you soon.

The Flower audience flickers out of being.

~~~~~~~~


(Addressing: @jorvhik)


Collab between Tortoise and @Dog

Their signs look like the typical marks of a protest: pickets with bold letters on them, reading things like “GREED DOESN’T PAY,” and “THIS IS OUR LAND,” and “FOREIGNERS GO HOME.” At least three dozen men and women carry those messages, even when some would condemn them for doing so: after all, the Ustonian megacorps had kept their end of the bargain. They pay local tax. They hire local workers.

But this is Bezia- or New Hollywood, or whatever it is called these days. Conflict still abounds. The xenophobic elements, in lieu of true aliens or mutants or cyborgs to rail against, have chosen these foreign companies for now. The Zetans aren’t here. The Columbians all went home. So these Ustonian corps are to be the targets, guilty or no. Angry men march on a newly-built headquarters in bright midday, feeling perfectly justified in their anger.

And, worst, there is something else in the midst. These Flower protestors- some of them, anyway- are also veterans of the revolution. At their hips are weapons. Guns, mostly, with a few axes thrown in for flavor. At least one is the very same axe that split the skull of a Matuvistan in Neo London- because that is, indeed, where this unfortunate company has chosen to take up residence.

You know, there is a fine line between a protest and a riot.

They approach the building. Official Flower security will eventually intercept them, but not before they get to the Ustonians.

“THIS IS YOUR FINAL WARNING. PLEASE DISPERSE THE AREA. THIS IS YOUR FINAL WARNING,” yells a loudspeaker from an officer on top of an armored car. A small block of riot-officer stood guard, blocking the various pieces of junk thrown at them. This was not much of a riot or protest, to them anyway. If anything, this was simply a small angry mob. With the crowd still determined to stay, the security-officers launch a series of tear-gas and flashbangs into the mob before quickly rushing in to beat down the protesters and then arrest.

But these protestors had faced this kind of thing before. When the first tear-gas canisters arced over their heads, trailing gray smoke across the sky, they knew to pull up scarves around their faces and wrap tight goggles around their eyes. The overall look was kind of ridiculous; but it did keep them safe from the gas. Mostly, anyway. Little tendrils seeped into the eyes-it burned like cut onions.The protestors had to fight through it.

One man shouted through: “These strangers think this is the first time we’ve dealt with this? They’ve never met protectors!” He was answered with jeers and laughter. And with quick-drawn guns.

“I’ll say it again,” the same man shouted, but now he cocked back a shotgun and aimed for a Ustonian: “Get off of our planet!”

He fired, and the first shot echoed through the thick tear-gas mist. The body dropped.
A brutal melee occurs as security-officers, dorning full-protection gear, clash with the mob. Faces are bruised, kneecaps broken, batons broken, rubber-bullets and beanbags shot, and plenty of other things ongoing. A few bodies are taken out of the melee in hand-cuffs and then quickly moved into the backs of vans while others are moved to medical vehicles. An assortment of screams, yells, and thumps are heard as the fight goes on.

The Flower protestors are outnumbered- they think. Through the haze of gas and the fog of a fight, nobody is sure who’s still standing, or who’s where, or who’s who. People throw a punch half as often as they crash into each other like bumper carts. Two competing forces, fear and anger, are as much at war here as the people.

Jims, a teenage Neo London native, loses out to the former. He starts to run. He carries his dad’s pistol with him. He sprints through the crowd, trips over a metal-concrete curb he couldn’t see, and has a bleeding forehead when he is able to open his eyes again. How much time has passed? He still hears the fight around him- only a few seconds, maybe. The gun is still in his hands. He nearly screams when the masked face of a Ustonian security officer lurks out of the tear-gas and appears to see him. So much like the protectors. So much. He knows what they would have done to him, and in that panic, his little pistol feels like the one power he has. The Ustonian tries grabbing at his arms, snatching and gripping and struggling, wanting to put cuffs on him- they nearly mount each other- they roll and wrestle against each other on the hard ground, and Jims somehow, barely, forces his gun up to the Ustonian’s head. The fight stops for a moment.

“Get back, man, I’ll shoot! You- you fucking protector! I swear I’ll really kill you, this bullet isn’t rubber!”

A small chuckle is heard from the Ustonian officer. “Try it, kid,” says the security officer - knowing full well that the pistol cannot do much against his kind of armor.

Jims tries it. A little ‘ting!’ signifies the bullet ricocheting off the officer’s helmet. “Shit!” says Jims, ineffectively.

“Tough luck, kid,” says the officer with a heavy vo-coded voice. With a raised baton, the officer smashes in poor Jim’s face. Hit after hit, Jim’s face starts to get extremely bruised. Before long, Jim loses consciousness and his body is moved towards the medical van.
@Eldritch Puppy

Approved. The way you wrote the history was very clever: you explain every strange or unique thing about the nation as the overcoming of an obstacle.

Why are they militant? Shards.
Why are they tall? Gravity.
Why do they have a big navy? Shards- but this time from space.
Why is their government unusual? All of the above.

I like it
Two Collabs Between @Tortoise and @Irredeemable


The ‘Demon of Zeta’ had started to become a little less demonic as time wore on. More glimpses of their form had gotten out, and no matter how efficient they were in killing, their form always received a small amount of damage, and there was no hope of proper repairs so far from Zeta. So, they had kept their body patched up in the field however they could, and continued to push it to the limits as they tore through anyone that stood in the way of their vengeance.

Now though, their time was waning. The Collective had always supported the White Flowers, and now that they had formalised their rule Eta-Theta could cause a diplomatic incident. They had one last target to cross off their checklist, and that would be that. The body would be destroyed, and Eta-Theta would return home at last.

Their chest complained a little as the holster was revealed for the last time, the android pulling the gun free and sliding the hatch shut once again. They inserted the last bullet directly into the gun and racked the slide to chamber it, before holstering it in a pilfered protector holster. They had saved this bullet for a specific person. A specific person that was currently scratching out a living in the wastelands of the new-old world.

Their footsteps could be heard as they walked along a baked-earth road. The mufflers that had allowed Eta to be so stealthy when they had first arrived had blown out after a particularly long fall, and besides, it wasn’t worth it to be stealthy any more. They had made a promise. They were merely keeping it.

Finally, they stopped in front of the ruins of a building, where a tired man pulled odd-looking fruit from a withered looking bush.

”Hello Yun.”

Wind whistled through the towering, creaking monolith over their heads; a construct of black, rusted metals, two hundred meters high- and still standing. That building, and the sea of others around it, was one the few Bezian ruins left. It was where the exiles were sent. This was the place you went to when the government didn't want you dead, just… out of the way. And now it was Yun’s home. He barely lifted his head.

“Hello, Eta-Theta.”

The android creaked closer, damaged joints and clicking microservos allowing the android to walk its way slowly opposite the man, then sit down on a desiccated log, staring the ex-protector down. The gun sat between their legs, the killing machine making no movement to draw it up and fire the shot that had been delayed as planets crumbled and regimes fell.

“You know what you made me realise, Yun?” Eta-Theta asked, eyes fixed on the ex-protector’s face. ”Most of the Collective, they… See the best in humanity. They see human flesh as a… Natural stage of their life. But you… When you threw me out that airlock.”

There was a long pause. In Yun’s mind, names replayed.

”When you killed me.” If the android had needed to breathe, now was when it would do so.

”You allowed me to understand that humanity. At least. Most of humanity. The kind of humanity you come from…”

“Is to be despised.”


Yun met the machine’s eyes- two black holes that went into oblivion.

“I. Hate. You.”

Eta-Theta’s hand clenched and unclenched. ”If you carved the word ‘hate’ into every single nanoangstrom of the hundreds of kilometers of wiring through me, you would not have even scratched the surface of the OCEAN of hatred that I have for you.”

“Alright.” Yun spoke. “You hate me. And you’re going to kill me. But you won’t feel better after it. You’ll hate the memory of me. You’ll think of me and hate. If you can dream, you’ll dream of me. This isn’t a release.” Of the seven that Yun had killed, not one made him feel better. Heralds dropped. He still lived in his killer’s head, the ghost of hate.

There is nothing left to live for.

“Go on, then, toaster. Pull the trigger and hate me forever.”

”Good.” Eta-Theta nodded. ”I don’t want a release. I want to see your face. Bloodied on Zeta. Petrified as I shot that protector on these neon streets. Tired. Worn down. I told you to live your best life, Yun. I hope you did it.

The android raised the gun up and towards Yun’s face.

”You planted a seed on Zeta, Yun. Now, here’s its fruit.”

The gun’s report disturbed a flock of hardy birds that had followed the exiles out here.

Eta-Theta paused for a moment. Then, their body’s self-destruct programs activated, and Eta-Theta left the planet of New Hollywood.



~~~~~~~~~~




It was a gorgeous day to enjoy Isla Lobasla. Although Il Duque himself was currently absent, (the near-death of his eldest daughter and the uproar in the senate would do that,) the island itself was open for business and pleasure as usual. Isla Lobasla, so named because of its carefully managed wolf population that had been introduced shortly after the colony had made landfall was both an industrial and cultural powerhouse. It was home to some of the planet’s oldest lodestone fields, which had lead the de Lobasla clan to rapidly become one of the wealthiest on the planet, becoming patrons of the arts and the church even before the Republic had been founded.

Of course, this history had led to the clan being surrounded in no small amount of controversy and hostility. Quiet whispers decried the de Lobasla’s as either beneficiaries of a dictator’s good graces or even descended from a dictator that had retired or abdicated instead of being overthrown or assassinated. They had the dubious distinction of having had the most assasination attempts made on them by both rebels and loyalists, had been challenged to the most duels of any of Matuvistas ‘Old Houses,’ and the family tree was so confused and muddled that a poorly timed death could send the whole house into a succession struggle to see who emerged as formal patriarch or matriarch of the clan.

Of course, the Oligarchs currently relaxing on one of the island’s most popular beachside resorts would have known nothing of this. Perfect surfing waves crashed into pearly white beaches, the view of the ocean only spoiled by the vast anti-storm and anti-kaiju structures erected several miles offshore. It was nonetheless picturesque, the Oligarchs enjoying a pampered vacation, complete with cocktails, compliments of Il Duque.

Abadi took another sip of her own cocktail, something pink in a posh little glass, and fought the instinct to start classifying it by "culture, kind and era." No, that's not true: she didn't have to just fight that instinct, she had to beat it off with a wooden stick. If this were New Hollywood, she'd have been talking dutifully with an Oligarch twenty years her senior about the most famous wines of Old Italy, circa 1729.

Stop thinking about New Hollywood stuff, she told herself, unsuccessfully, and continued to think about New Hollywood stuff.

She'd never actually worn a swimsuit before. There was no time to relax as a child- she had to study. Her family, like the family of a certain other young Oligarch- but that other one was a traitor- had been on the sidelines of ECU politics. The wealthier ones, the Isabella's of her own world, had their culture parties and their fame and their opulence without work. But Abadi earned her place: day one, she worked. How many social chances had she missed? She started escaping to culture parties themed around the American and British rock subcultures at sixteen. That was when her life seemed to actually start.

Rudely, completely uninvited, a memory rushed to her mind. Playing on the beach as a girl, with her dad, who seemed so big then. He was a giant. She was- what, seven? Eight? The hooks of life hadn’t quite forced their way into her, that young, despite much trying. They wouldn’t catch her until later.

Oh, she thought, returning her mind to the real and present beach of Isla Lobasla, I guess I have done this before.

An uncomfortable moment passes. Unfairly blue waves break on the sand.

I wonder how Isabella is doing?

That question would perhaps be answered more rapidly than she might think. For now, Abadi would have to make do with a very different individual. They had clearly come for a reason as well, their eyes scanning the beach. A young man, no more than twenty four or twenty five, with neatly trimmed brown hair, a white collar around his neck and a light linen robe. The garb was finished with a long series of golden links around his neck, ending with a large, heavy Matuvistan cross. The same cross was mimicked on the front of the book he carried, a thick tome bound in red leather.

He stopped before one of the other oligarchs, talked for some time, and then moved on, his lightweight sandals making easy work of the boardwalk. Then, something about Abadi seemed to cause him to stop and approach.

“Hello there.” The man said pleasantly. “My name is Padre Cristiano. You’re one of the Oligarchs, aren’t you? My sincerest sympathies. You’ve lost so much already.” He paused for a long moment, then gestured to the sunlounger beside Abadi. “May I sit? I assure you, I won’t take up much of your time.”

“You may,” she said, instinctively, politely. But her thoughts only said Oh no.

“Thank you.” Cristiano nodded pleasantly, then carefully planted him on the corner of the seat, his eyes just barely shaded by the provided umbrella. “Tell me something, Oligarch… Pardon me, what’s your name, miss?”

She answered, adding that it was an Old Arabic name- then wondered if her visitor knew what that was.

“That’s a lovely name.” He inclined his head with a smile. “Abadi, I have heard that New Hollywood was a regime unfamiliar with religion, but… In your years of living… Have you wondered if there was something more to this universe than meets the eye?”

“Oh, by Earth, he’s one of those,” said another voice, not Abadi’s, but definitely one she recognized. He’d been almost following her since that one night in the Meeting Place months ago, popping up suddenly in social spaces- just short of being creepy. Called the “Dis-Count Dracula” back home, like Count Dracula’s cheaper cousin. How could someone so tall be so stealthy?

Andrei Fedorov- in pink, floral swimming trunks that could only be ironic- sat himself uninvited on the sand beside them both. His hair somehow stayed slicked back even in that wet air. Abadi performed a mental calculation to determine how much product he must use to transform it into plastic: the answer is ‘too much.’

“There’s nothing more to the universe than the stuff you feel,” he declared, very certainly.

Cristiano’s eyes moved slowly towards Andrei, the soft, affable smile never leaving his lips. “Ah, but, just think. What you feel can be changed. I’m not certain if the custom of using psychoactives continued in New Hollywood, but,” he laughed a little, “I know it has in the Gran Republic. If you have indulged, consider how different that was to how you are now. Perhaps you were convinced you could see things that did not exist, or you felt strange sensations in your body?” He looked at the pair, (mostly Andrei,) to see the response.

Abadi laughed, only a little strained. "I think Andrei prefers alcohol."

He winked, saying "I think Andrei does, too, and you know what else he pre-" but she cut off whatever inappropriate thing he was about to say. The Oligarchs are new here, Andrei. You need to wait at least five more business days before causing an international incident.

"See, Cristiano," her voice carried over Andrei's, "my country has had bad experiences with... with religion. It divides people’s loyalty. That’s why the Mixtists are rebels. The Cult of Earth was well-intentioned, but their name says it all, doesn't it? I- I respect what you believe, but for me, I think it's best to focus on what's..." what is the best way to phrase this? "... on what's real."

You know, that was probably not the best way to phrase it.

Cristiano nodded along. “Of course, I understand that you’ve had negative experiences with religion before. Subversive elements, rebellion… Terrible, of course, but, if you’ll allow me to share something I find quite wonderful…” Above them in the sky hung the three moons, barely visible in the day. “Even up there, where our own rebels try to undermine everything we have strived to build… Our faith unifies us. It is the duty of Padres and Madres such as myself to cross the divide that has been rent between us, and use our faith to reconcile the two sides.”

After a few moments of silence, he turned to look back to Abadi. “But tell me then, Abadi. What makes you think that this.” He held up the book that was still pressed to his chest. “Is not real?”

She looked away, half embarrassed. This man obviously believed so sincerely. She’d never had faith like that in anything- except once, in Earth, and that turned out to be a lie. Earth is dead. Where were the saints when that happened? This is the real reason she didn’t believe in religions. But out loud, she fell back to the safety of: “There’s just no proof.”

Cristiano nodded in understanding. “To me, the proof is all around us. The sand, the seas, the moons and stars that hang above us in the sky. We are the witnesses of creation, and the saints are the architects of that creation.” He set the book down next to him for a moment and turned to face Abadi head-on. She felt wholly uncomfortable- and halfway interested.

“If that’s not enough to convince you however, there is something else we can do. The saints want to guide you, as they have done for me throughout my life. If you hold out your hand for them, they will take it. Try praying even once, saying ‘saints, if you are real, reveal yourselves to me.'” His smile widened.

“Even if you don’t believe me now, if you are honest and true, and pursue faith with that same honesty and truth, you will find what you seek. I promise you that.”

Andrei rolled his eyes. “Yeah, and if you seek unicorns hard enough, one’ll pop out of your birthday cake.”

Abadi stifled a chuckle, but even while she did, part of her knew that wasn’t what the preacher was saying. It’s not that believing something makes it true. It’s that, if the saints exist, it makes some sense that they could show themselves to someone who looked for them. If you are honest and true. The former liaison didn’t know if she was either of those things, considering her life, her old job. But maybe…

What if she prayed, and they really did answer her?

That was a terrifying thought. Her whole life would have to change- it made staying secular look like a safe-haven. It would mean I’ve been wrong forever. So she shook her head, shaking back to normal. “I don’t know,” she told the Padre. “Maybe. I’ll… I guess I’ll try it.” She buried her feet in the sand, and ignored the raised eyebrow and open-mouthed gape that the Dis-Count Dracula shot her way.

Cristiano smiled. “Would you like to come to our church? It’s not very far away at all, and I’m sure your friend here can take care of your drink.”

She hesitated, then nodded.

With that, the preacher stood back up and offered a hand towards Abadi. Once both were on their feet, he began walking back along the boardwalk, nodding pleasantly at those who stared at him. Soon, he turned off the boardwalk and towards the city streets, spending a few minutes navigating through the winding, snaking roads of the colonial city until the pair finally stood before a medium-sized stone church, a sign above the entrance denoting it as the Chapel of Our Lady of Eternal Assistance.

Cristiano took a moment to explain. “This is the third-oldest chapel on Matuvista. Lobasla was one of the original colonisation landing sites, you see, and so it was established very early on.” He paused for a long minute. “Our reliquary holds one of only three extant Old World Bibles. It is a blessing and a pleasure to serve in her halls.” With that, he pushed the heavy wooden doors open and stepped inside.

The entranceway was lined with hundreds of candles, some having burnt out, most still burning. Small boxes held more candles, as well as digital screens for worshippers to donate a Real to the chapel’s continuing existence. The ceiling displayed an ongoing fresco of the saints directing the colony ships away from a burning planet, and towards a gateway, and a series of stained glass windows displayed various saints, most old world, but two new world as well.

An octagonal chancel held a tremendous golden statue of a kindly, androdynous yet well-built figure, their arms spread out so that a preacher standing at the pulpit was almost embraced by them.

As there was no service, the chapel was relatively quiet. A few worshippers sat in the pews, heads inclined and hands pressed together, or reading from small scripture books that had been left beside every seat.

“Would you like to light a candle?” Cristiano asked, turning towards Abadi.

But she was still busy looking around with surprise. She’d never been in a building so silent. She felt like she should be whispering when she answered: “Uh, well, what could the candle even do?” What do saints have to do with candles? “Are they… real? Not holograms?” She felt stupid as she asked it.

“What does it do? Nothing, by itself. But, a candle is a means of prayer, and lighting a candle can create a space for you to be comforted by it.” He took one of the candles and offered it to her, continuing with the explanations as he did so.

“The saints are very real, but you won’t see them. Hallucinatory visions are fleetingly rare even among the most… Intensely devout. You’ll feel their presence, around and about you, and eventually, perhaps even when you are not praying.”

Abadi didn’t know about that. But there were a lot of things she didn’t know: she just watched her planet crumble under the weight of a discontent centuries old, but hidden the entire time. She'd twice debated with cyborgs about the nature of mankind. She'd shaken appendages with aliens, watched an ape parade, and made friends with a woman later eaten alive by a Gateway- and nobody could yet explain that last one, somehow the strangest of them all.

She'd seen so, so much, but standing there, she realized that she still knew nothing.

"Alright. I'll try lighting a stupid candle."

Cristiano handed her a candle and a match, stepped behind her, and smiled.
Six Months Later


Time passes.

The year is now 2602.

More than three hundred years have passed since Earth fell. Two years since the Gateways reopened. And six months since the Battle of Sol. This galaxy has already seen too much human conflict, of the same kind that killed Mother Earth, in this little speck of time. There have been wars, assassinations, manipulations and revolutions. Battle after battle, human blood has painted the Milky Way. And still we fight.

But- perhaps- our fate has just started to shift. The S.U.N. shines: the Sol United Nations, a gathering of colonies at the Meeting Place, where important issues can be voted on and debated as a group. Here, one may propose customs that will effect every member nation: intergalactic currency, international defense fleets, the embargo of a particular nation. After a Proposal is made by a particular nation, all members can vote YES or NO, and the most votes wins. Simple, right?

Not all have joined. But for those who have chosen to rise with the SUN, new opportunities for cooperation and for control are already revealing themselves. Who will win in the war of politic?

Time will tell, time will pass, and inevitably, blood will be spilt.

Welcome to the SUN.
Still need to finish the Military and History sections, but:

EDIT: Now just the history section!

White Flower Revolution

Conclusion: Heralds


Manon. Seung. Jun. Kamali. Kyle. Eta-Theta.

This is what he thinks to himself, to stay focused. It's a simple list of names; not important to anybody but him. Yun says them to himself, constantly.

He says them when they breached the compound, him and a wildly, unstably mixed gang of rouge Flowers and ex-protectors. He said them when he helped batter down the real protectors who were still trying to do their jobs- poor men. He says them now, especially now, that he knows he has the monster cornered.

All through it: Manon. Seung. Jun. Kamali. Kyle. Eta-Theta.

"Come ooooonnnn, Heralds, where are you?"
"We know you're hiding here somewhere..."
"Hey, hey, little rat, the cats are coming!"

Those voices aren't Yun's. He doesn't talk as much as he used to, he's been so weighed down with unfamiliar thoughts. Thoughts that make him feel guilty, old and cruel. They've reminded him of every murder he did for the Oligarchs. They make him say the names.

Something changed in him that day, the very day this all started, when he was standing out in the rain. Something in his heart shifted. It won't let him sleep at night.

But that's why he's here. That's why he has to do this.

"I'll take the left passage," Yun forces himself to talk, finally, 'cause they're standing at a crossroads. Two steel passages stretch on before them, both windowless and red-lit, somewhere deep in Herald's hiding place. He can only be down one of them. "I'll take the left," Yun says again, to the man standing beside him, "with the other ex-protectors. You take the right with your Flowers. One of us'll catch him."

"And then?" the Flower asks, always doubting Yun's loyalty.

"And then we'll kill him."

The Flower nods, happy and serious. If he even is a Flower, technically? Yun's not sure. He used to be, but went all rouge and off-the-grid so he could hunt down Heralds all on his own. Grabbed a whole bunch of used-to-be-protectors to take with him, Yun included. Maybe because he figures they're too hated to steal the glory from him.

He leads his favored soldiers down the right passage, and Yun splits the other way.

"Where you think we headed, boss?" one of the ex-protectors asks him.
"Prolly into a trap," answers another, who is neither Yun nor the boss. But it stands uncorrected.

The cold, steel passage continues onwards no matter what they say, for what feels like a comically long time. (But is, in reality, only a few minutes.) At its end is a door, and in front of the door is...

"Who the hell are you, kid?"
"...and why are you wearing a cowboy hat?"

The kid, a thin Japanese man with sunken eyes- and, indeed, a cowboy hat on his head- doesn't answer either question. He says something else instead: "The Savant James Heralds, genius leader of the ECU, has evacuated the building." His voice is so grim, you can't help but think of it as more of a threat than a statement.

"Yeah," grins one of the other two ex-protectors, Jameson, circling closer, "then what's that door behind you?"

"You don't need to worry about that, protector. If you go in there, you die. That's what that door is. Walk away from it. Today doesn't have to end this way. It can stop here; you have the power to end it here. The Savant is gone. Death is inside that door."

He adjusts his hat.

Now the other ex-protector- Cho- is circling too, like two sharks in the water, and the cowboy-kid is obviously getting nervous. But he speaks calmly, a soft voice that shows no fear: "Listen, my friends, to my words. Sold cold bold. Do you understand? Sold cold bo-"

And that's when a protector's club splits his skull.

The metal those things are made of, so hard, it makes a person's bones snap. There's an audible sound before Tanaka hits the floor, a crack! like a baseball bat. He drops down. The sentence isn't finished.

Cho, who killed him, takes a long deep breath. "That's what we do, you both hear me?" He looks at Yun and Jameson in turn. "If they start that hypnosis, brainwashing crap they like to use on us. You crack their skulls before they finish the sentence. Nobody uses magic words on us. Got it?" The other two both nod. Looks like Cho is the boss tonight, after all.

The doors open with a key-card found in the cowboy kid's pocket.

Behind the door is not death, but a garden. It's green, white and brown, filled with rocks and grass, arranged like a painting in three dimensions. Little god rays come streaming down from the glass dome overhead, just to add to the effect. It's beautiful. Except for the snake sitting in it.

He's leaned against a tree, sitting down like he doesn't have a care in the world, all alone in this massive terrarium. Fiddling with a trinket: some little metal box that he keeps tightening or loosening screws on. Is this how far Heralds has fallen? They said he was a madman. Almost enough to make you feel bad for killing him.

Almost, Yun decides.

They approach slow, and this is their mistake. Because of course, Heralds would try the exact same thing as Tanaka, but he would do it just a little more cleverly. Just as they're approaching the tree, that box he's fiddling with suddenly jumps and whirs in his hands, and out of it comes a voice, louder than a human voice should be, echoing off the rocks.

It says the words. Every ex-protector goes spear-straight. Cho especially tries to fight it, closing his eyes and plugging his ears. Heralds only gleefully twists a few more screws; the sound doubles in volume.

At that moment, they are tin soldiers, waiting on orders. Even half-aware of what's happening, it's unavoidable: the conditioning feels not like a desire to obey, but like a fundamental need, like breathing or eating. Like you'll die if you don't listen. Heralds has three attack dogs back on leashes. He presses a button on its bottom, turning off the little box- it's not needed anymore.

He straightens his gray coat as he stands up onto his feet. "Protectors," he says, calmly, as the men stand still, "I need you to listen to me. I need you to go outside and guard the door. I am the Savant. The Savant is in danger. I need you to go outside and guard the door, and tell anyone who comes close that I have left the planet. But I'll stay here; because this is my home, and no rebels are going to drive me from it." The last bit sounded more for him, but two of the protectors nodded along anyway, automatically. Only one doesn't: that peaks Heralds interest.

Heralds draws close to Yun, leaning in towards him. Is he saying something? Muttering something, under his breath? It sounds like...

"Manon. Seung. Jun. Kamali. Kyle. Eta-Theta." Yun's eyes are closed tight, focusing so intensely that it should drive him insane. It's like pulling yourself out of quicksand. But the names ground him: they remind him both who he is and what he's done. This is where the Savant makes a true mistake, because he leans in close, always curious, to hear more clearly what the ex-protector is trying to say. Yun's eyes open: "Heralds."

It is faster than lightning and easier than breathing, then, the way Yun sweeps Herald's feet out from under him, and the way he shoves his bodyweight against the tree, and the way- with a thousand memories behind it- he lifts his old metal club high into the air, high enough to hide the sun-

And brings it down.

The reports tomorrow will say that Heralds died "instantly." But when is that ever true? No, his mind takes a moment to go out. And in those lingering few seconds, his eyes flit up to the tree, really noticing all the details for the very first time. It is a Cornus Florida, a dogwood tree, in mid-bloom: it has white flowers on it.

The Savant James Heralds, genius leader of the ECU, is staining the roots red.

~~~~~~~~
Conclusion: Tanaka and Abadi


Viewable from the window of an apartment is a graveyard. It's a great, stately one, as clean and as posh as a gravesite can be, reserved for the rich and their family: "In Memory of Good Friends Lost," reads the sign outside. The lettering is gold, of course, and almost every corpse in that cemetery used to be an Oligarch. Of course.

Compared to the graves below, the apartments are poor and dirty and small. Made for families to sleep on top of each other. They have three rooms to share between twelve people, so that the sound of their arguing and protesting pierces through the walls and is heard by every other family in the building. Ms. Janson likes to sit by one little window and watch the visitors to the graves. So clean, with fancy clothes. Unlike anything up in these trapped apartments. It's so strange that the city planners would put them so close together.

The grave visitors don't come as much as they used to. Since the revolution, that is. But there's one: a Middle-Eastern girl- because she still looks too young to be called a woman- who always wears one of those funny robe things that Ms. Janson once heard the name for, but can never quite remember. Adaya? Abay?

Whatever it is. The girl walks to the same grave every day, carrying flowers that are red or blue or yellow, but never white. She leaves them there without preamble, which is another funny thing. She just lays the flowers gently down, no words and no tears, and walks away. Something looks so sad in her walk, but the watcher doesn't think it's about whoever it is that died: she walks like she's carrying a heavy weight.

Beneath the inscribed name, and above the dates of birth and death, the grave has a funny shape carved into it. The first time Ms. Janson leaned out of her window to catch a glimpse of it, she was confused: it looks like a hat.

One day, the girl stops coming. Nobody leaves flowers at that grave anymore.

~~~~~~~~
Conclusion: Yun


Life is ironic.

It's taken all of this to teach Yun that. All the beatings and murders, the ones that he committed. All the training and programming, that they forced onto him. All the internal war, and then at last the real, external one, against the Zetans, and then back home, against his own people. It's taken all of that to teach Yun that the universe has a sense of humor.

He sure knows that it does now, because he's sitting in the same kind of prison cell that he once locked people up into. He never realized how damp it was in here. It was just his job to bring people in: he threw them into a cell, closed the bars behind them, and never thought about them again. Protectors rarely bothered with interviews and confessions; the perp was guilty from the moment the cuffs came on. Somewhere in the very back of his mind, back then, buried beneath a sea of base thoughts and rage, he always knew that they would face a trial. He also knew that ECU trials are supposed to be brutal. Will the Flowers be different?

You know, he's not betting on it.

When they dragged him in here, the provisional security guys said "This needs to be a society of order." Whatever that means. And they said "You must still face trial for what amounts to a murder," because he did it without official permission.

He thinks what they meant to say is "You're a protector. We can't let you get the credit for killing Heralds!"

He wanted to correct them, saying "You mean ex-protector." But since they never actually said it outloud-like, that wasn't possible. He couldn't even defend himself, because his accusers didn't have to speak the words at all- they just thought it. He knows they did. 'Cause he could feel it. He'll always be the monster.

Manon. Seung. Jun. Kamali. Kyle. Eta-Theta. Heralds.

Yun slumps into the wall of his cell, letting the cold, wet bricks soak his back. Will it be execution, his sentencing, or will it be exile? Life in prison sounds like too much to hope for.

And he's not sure he'd want it.

~~~~~~~~
Conclusion: Tiffany


The apes are doing their rounds again. Since Heralds fell- it can't be more than a few days ago- this song has been beat into the skull of everyone who has ears to hear. A victory lap, she guesses.

Tiffany hears the chorus start up again now, throaty, vibrating and ape-like, blending in with the roar of their engine. Round the corner they come, three apes clinging to a vehicle that used to be a protector's, if you could even recognize it today. The gun from the back ripped clean from its place; the exterior a mess of wires like spilled guts. This automobile has been the victim of violence. It drifts quick around the curve, skidding the pavement like it's still being chased, and the song shouts as it flies:

"Do you hear the people sing?
Singing a song of angry men?
It is the music of a people
Who will not be slaves again!"


Tiffany flags the apes down, one hand in the sky- they recognize her. Naturally. Her face has been spread all around the news, so that it seems like every man, woman and child has a well-thought-out opinion on Tiffany Holstead. The chimpanzee driver, a Freemen who deserted his Khan for his ideals, looks at her like he halfway expects orders. But she just climbs up into the proc-auto with them.

"Come on," she says, "let's keep driving. I want to sing too." She ignores the surprised faces of the apes- and the internal question, 'When did I learn to read monkey face expressions?'

So they ride on, the song picking up and filling these streets. These blood-stained, war-cracked streets of New Hollywood.

"When the beating of your heart
Echoes the beating of the drums
There is a life about to start
When tomorrow comes!"


Vehicles are quite rare in Neo London. Public transport has always been heavily encouraged. This mutilated proc-auto being the only car in sight, she has an easy time spotting the faces of the crowd, looking up at what their oppressors used to ride.

"Will you join in our crusade?
Who will be strong and stand with me?
Beyond the barricade
Is there a world you long to see?"


They pass by a bombed-out shell that used to be a business. Was it the Matuvistans that bombed this one, or the Oligarchs? No telling. Funny, Tiffany thinks, how when the sign hangs sideways, half-burnt, the only word you can still read is "Quality." It's not the only tragedy around here; this city looks like a disaster film. Gray and crumbling. War vehicles scattered about, flipped over, nobody has bothered to clean them out. Burnt clothes on the sidewalk.

"Then join in the fight
That will give you the right to be free!"


The proc-auto sputters and coughs as they slow down, passing by a man being taken into custody right in the middle of the street. The ones cuffing him wear bright, clean uniforms with white flowers printed on their chests. And judging by the golden fist tattooed on his arm, that man they're cuffing could only be a protector. The aimless, ever-present crowd of civilians spits on him.

The proc-auto's engine whines in sympathy. It doesn't have many miles left itself. But Tiffany and the apes drive it onwards, singing:

"Do you hear the people sing?
Singing the song of angry men?
It is the music of the people
Who will not be slaves again!"


The next scene is nothing but the last two, repeated again. Dirty streets filled with dirty people, lost and aimless, scarred by war. How many foreign soldiers fired bullets here? And where are they today? Even the New Havenists, who came in the name of compassionate aide, are beginning to pack up and leave. But these people, these huddled masses yearning to breathe free, are left behind.

This is my world, Tiffany thinks. These are my people.

"When the beating of your heart
Echoes the beating of the drums
There is a life about to start
When tomorrow comes!"


In the falling raindrops, her tears are invisible.
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